Hybrid Forms, Composite Creatures, and the Transit Between Worlds in Ancestral Puebloan Imagery

Abstract

Rock imagery in the Puebloan region of the American Southwest often combines elements from different animal, human, plant, and natural sources. Blended elements may depict or refer to other-wordly states of existence or to creation narratives. Beings with combined elements can shift from shapes familiar in the present world and transport the viewer’s frame of reference to the spirit world. Puebloan belief in layering worlds below and above the present world is an important underlying social construct. Other worlds, especially those below, refer to past mythical times when animals and humans existed in primordial forms or were not fully formed, or may refer to the land of the dead or the underworld. Certain animal forms may have been selected because they are spirit guides, have specific powers, or were guardian-gods of cardinal directions. Some animals, such as birds, were chosen as messengers of prayers or offerings, while others (such as bears) had healing powers. The placement of images on the landscape or in relation to natural features imparts added power to the imagery. Ambiguity and multiple meanings also enhance these powers and incorporate concepts of emergence and transformation. Some images refer to the transformation that occurs when dancers wear kachina masks and then assume the attributes of those kachinas. Examples will be presented from images dating to the pre-European contact period (1300 to 1540 AD) found at Petroglyph National Monument, in the central Rio Grande valley of New Mexico. Comparisons to painted wall murals in kivas (ceremonial rooms) made during the same time period are presented.

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