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Renting royalties: How the assetization of music copyrights contributes to inequality for musicians
15 references·0 citing·51 second hop
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References

  • 2012Toward a Comparative Sociology of Valuation and Evaluation1,603 cited
  • 2021Rentier Capitalism: Who Owns the Economy, and Who Pays for It?454 cited
  • 2019Marx, Capital, and the Madness of Economic Reason450 cited
  • 2020Assetization424 cited
  • 2014Financialisation of Valuation395 cited
  • 2017Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry209 cited
  • 2016A Philosophy of Intellectual Property202 cited
  • 2019Playing to the Crowd197 cited
  • 2020Is music streaming bad for musicians? Problems of evidence and argument135 cited
  • 2016Accounting, decisions and promises123 cited
  • 2021Music Creators’ Earnings in the Digital Era79 cited
  • 2016Transparency in an opaque market: Evaluative frictions between “thick” valuation and “thin” price data in the art market58 cited
  • 2021The working life of musicians: mapping the work activities and values of early-career pop musicians in the Dutch music industry44 cited
  • 2020Making artworks valuable: Categorisation and modes of valuation work37 cited
  • 2024Financialization of music: song management firms and fractionalized copyright9 cited

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