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Digital Preservation and Access to Cultural Heritage in South Africa: The Case of the African Rock Art Digital Archive
13 references·1 citing·43 second hop
Digital Preservation and Access to Cultural Heritage in South Africa: The Case of the African Rock Art Digital Archive (2025)Digital Preservation and Access to Cultur…Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation (2024)Cultures of Appropriation: Ro…Rock art, shamanism, and the ontological turn (2021)Rock art, shamanism, and the …Challenges in digitisation of cultural heritage material in the Western Cape, South Africa (2019)Challenges in digitisation of…The Oxford Handbook of the Archaeology and Anthropology of Rock Art (2017)The Oxford Handbook of the Ar…Concerning Heritage: Lessons from Rock Art Management in the Maloti-Drakensberg Park World Heritage Site (2017)Concerning Heritage: Lessons …Rock Art in South African Society Today (2016)Rock Art in South African Soc…Digitization of Library Materials in Academic Libraries: Issues and Challenges (2014)Digitization of Library Mater…'Geometric' Motifs in Khoe-San Rock Art: Depictions of Designs, Decorations and Ornaments in the Gestoptefontein-Driekuil Complex, South Africa (2014)'Geometric' Motifs in Khoe-Sa…Prehistoric Rock Art (2010)Prehistoric Rock ArtRock Art: An Endangered Heritage Worldwide (2008)Rock Art: An Endangered Herit…Taking Stock (2004)Taking StockRock art and ritual: Southern Africa and beyond (1994)Rock art and ritual: Southern…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Believing and Seeing: Symboli…The Southern African Stone Age Site Index (SASSI): A Spatial, Chronological and Contextual Resource for Archaeological Research (2026)The Southern African Stone Ag…Percussion and Transition (1967)Images of war: A problem in San rock art research (1986)Revelations of religious reality: The individual in San rock art (1988)Astronomy in the Upper Palaeolithic? (2011)NEANDERTAL SOCIAL STRUCTURE? (2012)Characterizing the pigments and paints of prehistoric artists (2021)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Perception of the Environment (2002)THROUGH WARY EYES: Indigenous Perspectives on Archaeology (2005)A linguist's view: Khoe-Kwadi speakers as the earliest food-producers of southern Africa (2008)Invisible herders? The archaeology of Khoekhoe pastoralists (2008)Black Skin, White Masks (2023)Handbook of Rock Art Research (2001)The Archaeology of Rock-Art (2009)Valuing rock art: a view from Northumberland in North East England (2017)“I have visited the Chauvet Cave”: the heritage experience of a rock art replica (2019)Conservation and Co-Management of Rock Art in National Parks: An Australian Case Study (2023)Appropriated pasts: indigenous peoples and the colonial culture of archaeology (2006)Early dates for ‘Neanderthal cave art’ may be wrong (2018)Colonisation and early peopling of the Colombian Amazon during the Late Pleistocene and the Early Holocene: New evidence from La Serranía La Lindosa (2020)The archaeometry of ochre sensu lato: A review (2021)The Practice of Social Research. (1976)Convention for the Safeguarding of Intangible Cultural Heritage (2003) (2018)Transforming Our World: The 2030 Agenda for Sustainable Development (2018)Management of records at Statistics South Africa: Challenges and prospects (2021)Urban Land and Development Management in a Challenged Developing World: An Overview of New Reflections (2022)Librarians’ role in the preservation and dissemination of indigenous knowledge (2023)Archaeologies of Ontology (2016)Relational ontologies and performance: Identifying humans and nonhuman animals in the rock art from north-eastern Kimberley, Australia (2021)The Soundscapes of the Lower Chuya River Area, Russian Altai: Ethnographic Sources, Indigenous Ontologies and the Archaeoacoustics of Rock Art Sites (2022)Etnografía, chamanismo y el arte rupestre del lejano oeste norteamericano (2023)The application of workflow management to digital heritage resources (2014)Digitization of Records and Archives: Issues and Concerns (2018)Status of electronic records management (e-RM) in African university libraries: experience from Nigerian universities (2021)Bees, honey and brood: southern African hunter-gatherer rock paintings of bees and bees’ nests, uKhahlamba-Drakensberg, KwaZulu-Natal, South Africa (2015)Indigenising the gun – rock art depictions of firearms in the Eastern Cape, South Africa (2019)Identity Through Iteration: Secondary Imagemaking Practices as Expressions of Cultural Continuity, Change and Interpretation in the Rock Art of Southern Africa (2025)Style and Social Information in Kalahari San Projectile Points (1983)Reconsidering the behavioral basis for style: A case study among the Kalahari San (1984)The Human Symbolic Revolution: A Darwinian Account (1995)The southern San and the trance dance: a pivotal debate in the interpretation of San rock paintings (2012)Saharan Rock Art: Local Dynamics and Wider Perspectives (2013)Datura quids at Pinwheel Cave, California, provide unambiguous confirmation of the ingestion of hallucinogens at a rock art site (2020)
this work references cited by second hop

References

  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 2017The Oxford Handbook of the Archaeology and Anthropology of Rock Art227 cited
  • 2004Taking Stock119 cited
  • 2010Prehistoric Rock Art51 cited
  • 1994Rock art and ritual: Southern Africa and beyond50 cited
  • 2014Digitization of Library Materials in Academic Libraries: Issues and Challenges44 cited
  • 2019Challenges in digitisation of cultural heritage material in the Western Cape, South Africa23 cited
  • 2021Rock art, shamanism, and the ontological turn20 cited
  • 2014'Geometric' Motifs in Khoe-San Rock Art: Depictions of Designs, Decorations and Ornaments in the Gestoptefontein-Driekuil Complex, South Africa17 cited
  • 2008Rock Art: An Endangered Heritage Worldwide17 cited
  • 2016Rock Art in South African Society Today5 cited
  • 2017Concerning Heritage: Lessons from Rock Art Management in the Maloti-Drakensberg Park World Heritage Site5 cited
  • 2024Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation3 cited

Cited by

  • 2026The Southern African Stone Age Site Index (SASSI): A Spatial, Chronological and Contextual Resource for Archaeological Research1 cited

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