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Innovative Processes in 20th-Century Music: from the Avant-Garde to the Digitization of Music
12 references·0 citing·25 second hop
Innovative Processes in 20th-Century Music: from the Avant-Garde to the Digitization of Music (2025)Innovative Processes in 20th-Century Musi…The Cambridge Companion to Serialism (2023)The Cambridge Companion to Se…Evolutionary origins of music. Classical and recent hypotheses (2021)Evolutionary origins of music…TIMBRE IN MUSIC: PROBLEMS OF DEFINITION (2020)TIMBRE IN MUSIC: PROBLEMS OF …Harmonic function and modality in classic heavy metal1 (2019)Harmonic function and modalit…A History of Twentieth-Century Music in a Theoretic-Analytical Context (2014)A History of Twentieth-Centur…Music and Twentieth-Century Tonality (2012)Music and Twentieth-Century T…Sonorystyka w twórczości kompozytorów polskich XX wieku (2010)Sonorystyka w twórczości komp…Music of the Twentieth Century (2005)Music of the Twentieth CenturyMusic education in the twenty-first century: a psychological perspective (2003)Music education in the twenty…Serialism (2001)SerialismMusic Education since Mid-Century: The Role of the Music Educators National Conference (1999)Music Education since Mid-Cen…Music as a Temporal Form (1964)Music as a Temporal FormSituated Learning: Legitimate Peripheral Participation. (1994)Music in Everyday Life (2000)How Popular Musicians Learn: A Way Ahead for Music Education (2002)Developing identities and attitudes in musicians and classroom music teachers (2006)Cosmopolitan musicianship under construction: Digital musicians illuminating emerging values in music education (2012)The Development of Musical Skills of Underprivileged Children Over the Course of 1 Year: A Study in the Context of an El Sistema-Inspired Program (2016)The study of music in the elementary school : a conceptual approach (1967)Acoustic Theory of Speech Production (1971)Computation and Cognition (1984)On computation and cognition: Toward a foundation of cognitive science (1989)The so-called ‘flattened seventh’ in rock (1995)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Triadic Modal and Pentatonic Patterns in Rock Music (2010)Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres (2023)The descent of man and selection in relation to sex (1907)The spandrels of San Marco and the Panglossian paradigm: a critique of the adaptationist programme (1979)Exaptation—a Missing Term in the Science of Form (1982)John Cage and Peter Yates (2019)Between the Signposts: Thematic Interpolation and Structural Defamiliarization in Prokofiev’s Sonata Process (2020)Modern Opera of the Late 20th-Early 21st Centuries: World Trends and Ukrainian Realities (2020)The musical form in rhetorical exchange: Theoretical considerations (1972)The dress room (2014)Influence of music liking on EEG based emotion recognition (2020)Aligned-Cycle Spaces (2016)Octave-generalized analysis of chord progressions: Diatonic/fifth relations, missing fundamentals, completion tones (2020)
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References

  • 2003Music education in the twenty-first century: a psychological perspective132 cited
  • 2014A History of Twentieth-Century Music in a Theoretic-Analytical Context26 cited
  • 1964Music as a Temporal Form19 cited
  • 2010Sonorystyka w twórczości kompozytorów polskich XX wieku12 cited
  • 2005Music of the Twentieth Century11 cited
  • 2012Music and Twentieth-Century Tonality11 cited
  • 2021Evolutionary origins of music. Classical and recent hypotheses9 cited
  • 2019Harmonic function and modality in classic heavy metal18 cited
  • 2023The Cambridge Companion to Serialism6 cited
  • 1999Music Education since Mid-Century: The Role of the Music Educators National Conference6 cited
  • 2001Serialism4 cited
  • 2020TIMBRE IN MUSIC: PROBLEMS OF DEFINITION2 cited

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