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Social Interaction Mediated by Popular Music Among University Students in the Digital Era
10 references·0 citing·44 second hop
Social Interaction Mediated by Popular Music Among University Students in the Digital Era (2025)Social Interaction Mediated by Popular Mu…From cultural intermediaries to platform adaptors: The transformation of music planning and artist acquisition in the Chinese music industry (2024)From cultural intermediaries …Plasticine Music – or the intimate social life of cultural objects (2023)Plasticine Music – or the int…Music, Resilience and ‘Soundscaping’: Some Reflections on the War in Ukraine (2023)Music, Resilience and ‘Sounds…The emergence of promotional gatekeeping and converged local music professionals on social media (2021)The emergence of promotional …Mimicking the mimics: problematizing cover performance of Filipino local music on social media (2021)Mimicking the mimics: problem…Nothing personal: algorithmic individuation on music streaming platforms (2017)Nothing personal: algorithmic…Young people's uses of music for well-being (2015)Young people's uses of music …Networked (2012)NetworkedWhy do we listen to music? A uses and gratifications analysis (2010)Why do we listen to music? A …After Adorno (2003)After AdornoMusic in Everyday Life (2000)The importance of music to adolescents (2000)Using thematic analysis in psychology (2006)Emerging in a Digital World (2013)Emerging Adulthood (2014)Understanding motivations to use online streaming services: integrating the technology acceptance model (TAM) and the uses and gratifications theory (UGT) (2020)Transforming Qualitative Information: Thematic Analysis and Code Development (1998)Designing and Conducting Mixed Methods Research (2007)Enhancing wellbeing: An emerging model of the adaptive functions of music listening (2015)Music Use for Mood Regulation: Self-Awareness and Conscious Listening Choices in Young People With Tendencies to Depression (2019)Music Listening as a Strategy for Managing COVID-19 Stress in First-Year University Students (2021)Keywords: A Vocabulary of Culture and Society (1977)Distinction: A Social Critique of the Judgement of Taste. (1985)Cultural Theory: An Anthology (2010)Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South (2020)Artificial Communication (2022)Algorithms of Resistance (2024)The Field of Cultural Production: Essays on Art and Literature (1996)Constructing Grounded Theory. A Practical Guide Through Qualitative Analysis (2006)The long tail: why the future of business is selling less of more (2007)The new digital music marketing ecosystem: artist direct (2023)Toward a decentralized copyright infrastructure as a ‘public service’: the case of Digiciti and Estonia (2024)Negotiating underground status through hybrid visibilities: WeChat event promotion in Shanghai music and performance scenes (2025)Discourse Analysis (1952)Qualitative Researching with Text, Image and Sound (2000)Blogs, Wikipedia, Second Life, and beyond: from production to produsage (2009)The Structure of Scientific Revolutions (1963)The De-scription of Technical Objects (1992)Towards a critical understanding of music, emotion and self‐identity (2008)What Is Sociological about Music? (2010)Arts-based methods in leadership development: Affording aesthetic workspaces, reflexivity and memories with momentum (2012)Toward an experimental ecology of human development. (1977)The Soundscape: Our Sonic Environment and the Tuning of the World (1993)Art music and war : Ukrainian case 2022 (2023)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Constructing grounded theory (2014)The Predicament of Culture (1988)Consumer Culture and Postmodernism (2007)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)Adaptation and Optimisation across Audiovisual Platforms: Hot Song Production in the Chinese Music Industry (2025)Shaping old media on new media: vinyl revival and its representation on Chinese social media (2025)A Survey of Personality Computing (2014)Curated Flows: A Framework for Mapping Media Exposure in the Digital Age (2015)Digitalization (2016)
this work references cited by second hop

References

  • 2012Networked1,336 cited
  • 2010Why do we listen to music? A uses and gratifications analysis505 cited
  • 2003After Adorno253 cited
  • 2017Nothing personal: algorithmic individuation on music streaming platforms245 cited
  • 2015Young people's uses of music for well-being216 cited
  • 2023Music, Resilience and ‘Soundscaping’: Some Reflections on the War in Ukraine18 cited
  • 2021The emergence of promotional gatekeeping and converged local music professionals on social media17 cited
  • 2024From cultural intermediaries to platform adaptors: The transformation of music planning and artist acquisition in the Chinese music industry15 cited
  • 2021Mimicking the mimics: problematizing cover performance of Filipino local music on social media6 cited
  • 2023Plasticine Music – or the intimate social life of cultural objects3 cited

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