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Artificial intelligence in the music streaming value chain: Exploring artists' and users’ perceptions on content creation and algorithmic consumption
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Artificial intelligence in the music streaming value chain: Exploring artists' and users’ perceptions on content creation and algorithmic consumption (2025)Artificial intelligence in the music stre…Do you create your content yourself? Using generative artificial intelligence for social media content creation diminishes perceived brand authenticity (2024)Do you create your content yo…Safeguarding intangible cultural heritage: exploring the synergies in the transmission of Indigenous languages, dance and music practices in Southern Africa (2023)Safeguarding intangible cultu…Revenue-Sharing Allocation Strategies for Two-Sided Media Platforms: Pro-Rata vs. User-Centric (2022)Revenue-Sharing Allocation St…A Review of the Literature on the Relationship of Music Education to the Development of Socio-Emotional Learning (2022)A Review of the Literature on…Remix’s retreat? Content moderation, copyright law and mashup music (2021)Remix’s retreat? Content mode…Music Platforms and the Optimization of Culture (2020)Music Platforms and the Optim…Attracting artists to music streaming platforms (2020)Attracting artists to music s…Measuring the impact of musical learning on cognitive, behavioural and socio-emotional wellbeing development in children (2017)Measuring the impact of music…Online Focus Groups (2016)Online Focus GroupsCode Saturation Versus Meaning Saturation (2016)Code Saturation Versus Meanin…The Sociological Roots of Utilization-Focused Evaluation (2015)The Sociological Roots of Uti…Sample Size in Qualitative Interview Studies (2015)Sample Size in Qualitative In…The focus groups in social research: advantages and disadvantages (2011)The focus groups in social re…In Search of Authenticity* (2005)In Search of Authenticity*Two Decades of Developments in Qualitative Inquiry (2002)Two Decades of Developments i…Qualitative Research: Introducing focus groups (1995)Qualitative Research: Introdu…Rediscovering the Social Group: A Self‐Categorization Theory (1987)Rediscovering the Social Group: A Self-Categorization Theory. 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(2005)Saturation in qualitative research: exploring its conceptualization and operationalization (2017)To saturate or not to saturate? Questioning data saturation as a useful concept for thematic analysis and sample-size rationales (2019)Behavioral Study of obedience. (1963)A model of (often mixed) stereotype content: Competence and warmth respectively follow from perceived status and competition. (2002)Insights for conducting real-time focus groups online using a web conferencing service (2017)Face-to-Face Compared With Online Collected Accounts of Health and Illness Experiences: A Scoping Review (2020)Let's talk virtual! Online focus group facilitation for the modern researcher (2021)THE DISCOVERY OF GROUNDED THEORY: STRATEGIES FOR QUALITATIVE RESEARCH. By Barney G. Glaser and Anselm L. Strauss. Chicago: Aldine Publishing Company, 1967. 271 pp. $6.75 (1968)Sample sizes for saturation in qualitative research: A systematic review of empirical tests (2021)The long tail: why the future of business is selling less of more (2007)The politics of ‘platforms’ (2010)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization (2021)Streaming’s Effects on Music Culture: Old Anxieties and New Simplifications (2021)Algorithms of Resistance (2024)Flow: The Psychology of Optimal Experience (1991)An argument for basic emotions (1992)Enhancing school-based prevention and youth development through coordinated social, emotional, and academic learning. (2003)Impact of Music Education on Mental Health of Higher Education Students: Moderating Role of Emotional Intelligence (2022)Partisipasi Guru Musik Berbasis Potensi Siswa Pendidikan Musik: Kajian Studi di Sekolah Musik (2023)Investigating the substantive linguistic effects of using songs for teaching second or foreign languages to preschool, primary and secondary school learners: A systematic review of intervention research (2024)Uses and Gratifications Research (1973)Social Identity Theory and the Organization (1989)Experimental evidence on the productivity effects of generative artificial intelligence (2023)Algorithm fashion designer? ascribed mind and perceived design expertise of AI versus human (2024)When digital spaces matter: The influence of uniqueness and place attachment on self‐identity expression with brands using generative AI on the metaverse (2024)AI-Generated News Content: The Impact of AI Writer Identity and Perceived AI Human-Likeness (2025)
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References

  • 2015Sample Size in Qualitative Interview Studies13,419 cited
  • 1995Qualitative Research: Introducing focus groups6,984 cited
  • 2016Code Saturation Versus Meaning Saturation4,880 cited
  • 2002Two Decades of Developments in Qualitative Inquiry2,622 cited
  • 2005In Search of Authenticity*571 cited
  • 2011The focus groups in social research: advantages and disadvantages527 cited
  • 2016Online Focus Groups329 cited
  • 2024Do you create your content yourself? Using generative artificial intelligence for social media content creation diminishes perceived brand authenticity290 cited
  • 2020Music Platforms and the Optimization of Culture153 cited
  • 2022A Review of the Literature on the Relationship of Music Education to the Development of Socio-Emotional Learning139 cited
  • 2023Safeguarding intangible cultural heritage: exploring the synergies in the transmission of Indigenous languages, dance and music practices in Southern Africa85 cited
  • 2017Measuring the impact of musical learning on cognitive, behavioural and socio-emotional wellbeing development in children67 cited
  • 2022Revenue-Sharing Allocation Strategies for Two-Sided Media Platforms: Pro-Rata vs. User-Centric56 cited
  • 2015The Sociological Roots of Utilization-Focused Evaluation56 cited

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  • 2021Remix’s retreat? Content moderation, copyright law and mashup music42 cited
  • 2020Attracting artists to music streaming platforms36 cited
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