SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Music at a Florentine Convent
16 references·0 citing·33 second hop
Music at a Florentine Convent (2025)Music at a Florentine ConventLeokadiya Kashperova (2023)Leokadiya KashperovaGrazyna Bacewicz, The 'First Lady of Polish Music' (2022)Grazyna Bacewicz, The 'First …Attending (to) Masses in the long 16th century (2020)Attending (to) Masses in the …Women and Music in Sixteenth-Century Ferrara (2018)Women and Music in Sixteenth-…The T-Mass: quis scrutatur? (2018)The T-Mass: quis scrutatur?Voci pari Motets and Convent Polyphony in the 1540s: The materna lingua Complex (2017)Voci pari Motets and Convent …The performance of polyphony in early 16th-century Italian convents (2017)The performance of polyphony …Vision, Devotion, and Self-Representation in Late Medieval Art (2014)Vision, Devotion, and Self-Re…The Ricreationi per monache of Suor Annalena Aldobrandini (2012)The Ricreationi per monache o…Francesca Caccini at the Medici Court (2009)Francesca Caccini at the Medi…‘High’ clefs in composition and performance (2006)‘High’ clefs in composition a…Maecenas and Madrigalists (2004)Maecenas and MadrigalistsTaken into custody: girls and convent guardianship in Renaissance Florence (2003)Taken into custody: girls and…Music and Merchants (1992)Music and Merchants“Ful weel she soong the service dyvyne”: The Cloistered Musician in the Middle Ages (1986)“Ful weel she soong the servi…Toward an Interpretation of the Sixteenth-Century Motet (1981)Toward an Interpretation of t…Source Readings in Music History (1950)Music in the Renaissance (1954)Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style (1973)The Mirror of Man's Salvation: Music in Devotional Life about 1500 (1990)A Sixteenth-Century Catalog of Prohibited Music (2009)Plague and Music in the Renaissance (2017)Tonal Types and Modal Categories in Renaissance Polyphony (1981)Composers at Work: The Craft of Musical Composition 1450-1600 (1998)A History of Performing Pitch: The Story of 'A' (2002)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)The Requiem of Tomás Luis de Victoria (1603) (2019)Fiction in the Archives: Pardon Tales and their Tellers in Sixteenth-Century France (1989)From Humanism to the Humanities: Education and the Liberal Arts in Fifteenth- and Sixteenth-Century Europe (1989)A General History of Music, from the Earliest Ages to the Present Period (2018)Echoes of Ariadne in the Musical Reception of Ariosto and Tasso (2020)Renaissance Polyphony (2020)Le Istitutioni Harmoniche (1967)Venice: A Documentary History, 1450-1630 (1993)Women and the Circulation of Texts in Renaissance Italy (2020)Matthew Paris’s ‘Self-Portrait with the Virgin Mary’ in the Historia Anglorum (2015)The Manuscript as an Ambigraphic Medium: Hoccleve’s Scribes, Illuminators, and Their Problems (2017)Touching Books, Touching Art (2017)‘Out of the Air’: Judith Weir’s Emergence in 1970s Britain, or Interpreting Creative Self-Censorship (2019)Musical Authorship from Schütz to Bach (2019)Race, empire, and early music (2014)The Patronage Politics of Equestrian Ballet: Allegory, Allusion, and Satire in the Courts of Seventeenth-Century Italy and France (2017)Performing for Strangers: Women, Dance, and Music in Quattrocento Florence (2001)Honoring God and the City (2003)The Cambridge History of Sixteenth-Century Music (2019)Artistic geographies (2014)Religion (2014)The Cambridge Companion to the Italian Renaissance (2014)
this work references cited by second hop

References

  • 1992Music and Merchants111 cited
  • 2014Vision, Devotion, and Self-Representation in Late Medieval Art72 cited
  • 2006‘High’ clefs in composition and performance60 cited
  • 2018Women and Music in Sixteenth-Century Ferrara57 cited
  • 2009Francesca Caccini at the Medici Court55 cited
  • 2018The T-Mass: quis scrutatur?37 cited
  • 1981Toward an Interpretation of the Sixteenth-Century Motet30 cited
  • 2012The Ricreationi per monache of Suor Annalena Aldobrandini25 cited
  • 2004Maecenas and Madrigalists24 cited
  • 2017The performance of polyphony in early 16th-century Italian convents21 cited
  • 2017Voci pari Motets and Convent Polyphony in the 1540s: The materna lingua Complex19 cited
  • 2003Taken into custody: girls and convent guardianship in Renaissance Florence19 cited
  • 2020Attending (to) Masses in the long 16th century16 cited
  • 1986“Ful weel she soong the service dyvyne”: The Cloistered Musician in the Middle Ages9 cited
  • 2022Grazyna Bacewicz, The 'First Lady of Polish Music'8 cited
  • 2023Leokadiya Kashperova6 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

No citing works inside the corpus for this window.