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Iconography and Characterization in English Tragedy 1585–1642
14 references·0 citing·29 second hop
Iconography and Characterization in English Tragedy 1585–1642 (1978)Iconography and Characterization in Engli…1625: The Atheist's Tragedy (2015)1625: The Atheist's Tragedy1271: Antonio's Revenge (2014)1271: Antonio's RevengeThe Complete Works of Christopher Marlowe (2008)The Complete Works of Christo…The maid's tragedy (1988)The maid's tragedyElizabethan drama and the viewer's eye (1977)Elizabethan drama and the vie…Women Beware Women (1972)Women Beware WomenThe 'Rainbow Portrait' of Queen Elizabeth I and Its Religious Symbolism (1972)The 'Rainbow Portrait' of Que…A collection of emblemes (1968)A collection of emblemesThe revenger's tragedy (1967)The revenger's tragedyTHE ‘IMPURE ART’ OF JOHN WEBSTER (1958)THE ‘IMPURE ART’ OF JOHN WEBS…Icones Symbolicae: The Visual Image in Neo-Platonic Thought (1948)Icones Symbolicae: The Visual…Queen Elizabeth as Astraea (1947)Queen Elizabeth as AstraeaThemes and Conventions of Elizabethan Tragedy (1936)Themes and Conventions of Eli…The Works of Sir John Suckling (1911)The Works of Sir John SucklingThe Sacralization of Revenge in Antonio's Revenge (2005)"The Illegitimate Assistance of Political Allusion": Politics and the Hybridization of Romantic Tragedy in the Drama of Richard Lalor Sheil (2006)The Actress and Baroque Aesthetic Effects in Renaissance Drama (2015)Nature, Culture, Myth, and the Musician in Early Modern England (1998)The siren, the muse, and the god of love: Music and gender in seventeenth‐century English emblem books (1999)Mental Tempests, Seas of Trouble: The Perturbations of Shakespeare’s Pericles (2015)An initial investigation of the usability of fictional conversation for doing conversation analysis (1987)Decision Theory and Human Behavior (2014)Screening early modern drama: beyond Shakespeare (2014)Shakespeare’s Sad Tale for Winter: Hamlet and the Tradition of Fireside Ghost Stories (2010)Hamlet, Metaphor, and Memory (2012)Rhetorical Delivery for Renaissance English: Voice, Gesture, Emotion, and the Sixteenth-Century Vernacular Turn (2015)Marriage under compulsion in English renaissance drama (1986)Rape's Metatheatrical Return: Rehearsing Sexual Violence Among the Early Moderns (2006)The Smell of Macbeth (2007)Sight and Pictures (1979)Unraveling Beaumont from Fletcher with Music, Misogyny, and Masque (2004)Eve’s Flesh and Blood in Jonson’s Bartholomew Fair (1978)"The meanest man . . . shall be permitted freely to accuse": The Commoners in Woodstock (1998)The Confusions of Gallathea: John Lyly as Popular Dramatist (1998)EARLY MODERN ENGLISH LEXIS AND SEMANTICS (2000)ORTHOGRAPHY AND PUNCTUATION (2000)The Cambridge History of the English Language (2000)of kings and contexts: ethnohistorical interpretations of Miskito political structure and function (1986)Shakespeare and Tolerance (2008)Performances at Court in the Age of Shakespeare (2019)Studies on Renaissance Humanism During the Last Twenty Years (1962)Kepler's theory of hypothesis and the ‘realist dilemma’ (1972)The Inward Zodiac: A Development in Ficino's Thought on Astrology (1990)
this work references cited by second hop

References

  • 2008The Complete Works of Christopher Marlowe154 cited
  • 1947Queen Elizabeth as Astraea77 cited
  • 1948Icones Symbolicae: The Visual Image in Neo-Platonic Thought71 cited
  • 1936Themes and Conventions of Elizabethan Tragedy61 cited
  • 1967The revenger's tragedy50 cited
  • 20141271: Antonio's Revenge37 cited
  • 1977Elizabethan drama and the viewer's eye36 cited
  • 1972Women Beware Women26 cited
  • 1968A collection of emblemes20 cited
  • 1988The maid's tragedy19 cited
  • 1958THE ‘IMPURE ART’ OF JOHN WEBSTER15 cited
  • 1911The Works of Sir John Suckling13 cited
  • 20151625: The Atheist's Tragedy13 cited
  • 1972The 'Rainbow Portrait' of Queen Elizabeth I and Its Religious Symbolism8 cited

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