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Can Jazz Be Rid of the Racial Imagination? Creolization, Racial Discourses, and Semiology of Music
16 references·0 citing·31 second hop
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this work references cited by second hop

References

  • 1994Racial Formation in the United States: From the 1960s to the 1990s6,198 cited
  • 2001Against Race: Imagining Political Culture beyond the Color Line2,264 cited
  • 2018Racial Formation in the United States1,100 cited
  • 1963Blues People: Negro Music in White America879 cited
  • 1993The Birth of African-American Culture: An Anthropological Perspective.813 cited
  • 2000Music and the racial imagination629 cited
  • 2004Race music: black cultures from bebop to hip-hop378 cited
  • 1991Sounds Authentic: Black Music, Ethnicity, and the Challenge of a "Changing" Same258 cited
  • 1970Black nationalism and the revolution in music218 cited
  • 1978Caribbean cultural identity : the case of Jamaica : an essay in cultural dynamics182 cited
  • 1999Edouard Glissant and postcolonial theory: strategies of language and resistance122 cited
  • 1999Music, Modernity, and the Global Imagination: South Africa and the West110 cited
  • 2002Harlem in Montmartre: a Paris jazz story between the great wars81 cited
  • 2003Four parts, no waiting: a social history of American barbershop harmony56 cited
  • 1973Blacks, Whites and Blues55 cited

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1994
The Life and Legend of Leadbelly
31 cited

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