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Changing pictures: rock art traditions and visions in Northern Europe
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  • 2021Engraved Biographies: Rock Art and the Life-Histories of Bronze Age Objects34 cited
  • 2012War Canoes or Social Units? Human Representation in Rock-Art Ships33 cited
  • 2020A Comparative Study of Rock Art in Later Prehistoric Europe19 cited
  • 2013Stone Age Eyes and Ears: A Visual and Acoustic Pilot Study of Carn Menyn and Environs, Preseli, Wales15 cited
  • 2020Red‐coated rocks on the seashore: The esthetics and geology of prehistoric rock art in Alta, Arctic Norway14 cited
  • 2020HUNTING STORIES IN SCANDINAVIAN ROCK ART: ASPECTS OF ‘TELLABILITY’ IN THE NORTH VERSUS THE SOUTH13 cited
  • 2021The end of the Ice Age in southern Europe: Iberian images in the Palaeolithic to Post-Palaeolithic transition10 cited
  • 2016Profiled hands in Palaeolithic art: the first universally recognized symbol of the human form10 cited
  • 2016Understanding Palimpsest Rock Art with the Art as Agency Approach: Gell, Morphy, and Laxön, Nämforsen8 cited
  • 2013Beyond ‘the Phenomenological Walk’: Perspectives on the Experience of Images8 cited
  • 2019Petroglyphs as ‘contraptions’ – animacy and vitalist technologies in a Bronze Age archipelago8 cited
  • 2013Iron Age Rock-Art: A View from Järrestad in South-East Sweden6 cited
  • 2025“Everything begins with a dot” cupmarks, minerals and waters in South Scandinavian Bronze Age rock art

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2 cited
  • 2012Un-Tranced: Musings on Shamanism, Neuropsychology, and Rock Art2 cited
  • 2019The ontology of praxis: hard memory and the rock art of the Northern Europe2 cited
  • 2019Sexed animals in Swedish Southern Tradition rock carvings: gender, sexuality, fertility, and implications for animals in Bronze Age ontology2 cited