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Mary Shelley’s Frankenstein
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Mary Shelley’s Frankenstein (2013)Mary Shelley’s FrankensteinWhat's in a Frame?: The Authorizing Presence in James Whale's Bride of Frankenstein (2009)What's in a Frame?: The Autho…Uncanny bodies: the coming of sound film and the origins of the horror genre (2008)Uncanny bodies: the coming of…Mad, Bad and Dangerous? The Scientist and the Cinema (2006)Mad, Bad and Dangerous? The S…Frankenstein's daughters: women writing science fiction (1997)Frankenstein's daughters: wom…Frankenstein, Creation and Monstrosity (1997)Frankenstein, Creation and Mo…The Other Mary Shelley: beyond Frankenstein (1994)The Other Mary Shelley: beyon…Vampyres : Lord Byron to Count Dracula (1991)Vampyres : Lord Byron to Coun…The Thrill of Fear: 250 Years of Scary Entertainment (1991)The Thrill of Fear: 250 Years…Universal horrors: the studio's classic films, 1931-1946 (1990)Universal horrors: the studio…Hideous progenies: dramatizations of Frankenstein from Mary Shelley to the present (1990)Hideous progenies: dramatizat…Mary Shelley: romance and reality (1989)Mary Shelley: romance and rea…Mary Shelley: Her Life, Her Fiction, Her Monsters (1989)Mary Shelley: Her Life, Her F…The journals of Mary Shelley, 1814-1844 (1987)The journals of Mary Shelley,…Scientific Attitudes in Mary Shelley's Frankenstein (1984)Scientific Attitudes in Mary …The endurance of Frankenstein : essays on Mary Shelley's novel (1979)The endurance of Frankenstein…Dr. Polidori and the Genesis of Frankenstein (1963)Dr. Polidori and the Genesis …Celluloid Projections: Images of Technology and Organizational Futures in Contemporary Science Fiction Film (1995)Celluloid Projections: Images…Horror to the Extreme: Changing Boundaries in Asian Cinema (2009)Diegetic Withdrawal and Other Worlds: Film Music Strategies before King Kong , 1927–1933 (2013)Monstrous Forms (2019)Righting the wrongs of woman: Mary Wollstonecraft'sMaria (1996)Romantic Disease Discourse: Disability, Immunity, and Literature (2011)Born This Way: Reading Frankenstein with Disability (2018)Face, Figure, Physiognomics: Mary Shelley's "Frankenstein" and the Moving Image (2000)Facing the Ugly: The Case of Frankenstein (2000)Responsible Creativity and the "Modernity" of Mary Shelley's Prometheus (2003)Mary Shelley, Frankenstein, and the Spectacle of Masculinity (1993)The transformation of rhetoric (2000)Theories of genre (2000)Blood clots: the nineteenth-century debate over the substance and means of transfusion in Britain (1997)The need for fresh blood: Understanding organizational age inequality through a vampiric lens (2013)The Cambridge Companion to ‘Dracula' (2017)Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value (2004)Violence and Democracy (2004)Defining entertainment: an approach (2014)Hostages to Empire: The Anglo-Indian Problem inFrankenstein, The Curse of Kehama, andThe Missionary (1997)Peforming History, Peforming Humanity in Mary Shelley's The Last Man (2002)FrankensteinandChristabel: Intertextuality, Biography, and Gothic Ambiguity (2004)THE MUMMY in context (2009)The Problem of Immunity in The Last Man (2007)Mediating Monstrosity: Media, Information, and Mary Shelley’s Frankenstein (2012)Globalization Matters (2019)The Sexual Politics of Ectogenesis in the To-day and To-morrow Series (2009)“She was born a thing”: Disability, the Cyborg and the Posthuman in Anne McCaffrey's The Ship Who Sang (2013)The Cambridge Companion to American Science Fiction (2015)
this work references cited by second hop

References

  • 1989Mary Shelley: Her Life, Her Fiction, Her Monsters184 cited
  • 1997Frankenstein's daughters: women writing science fiction125 cited
  • 1991Vampyres : Lord Byron to Count Dracula116 cited
  • 1987The journals of Mary Shelley, 1814-184470 cited
  • 1979The endurance of Frankenstein : essays on Mary Shelley's novel65 cited
  • 1994The Other Mary Shelley: beyond Frankenstein63 cited
  • 1989Mary Shelley: romance and reality60 cited
  • 2008Uncanny bodies: the coming of sound film and the origins of the horror genre59 cited
  • 1991The Thrill of Fear: 250 Years of Scary Entertainment50 cited
  • 1990Universal horrors: the studio's classic films, 1931-194647 cited
  • 1963Dr. Polidori and the Genesis of Frankenstein43 cited
  • 2006Mad, Bad and Dangerous? The Scientist and the Cinema41 cited
  • 1997Frankenstein, Creation and Monstrosity36 cited
  • 1990Hideous progenies: dramatizations of Frankenstein from Mary Shelley to the present32 cited
  • 1984Scientific Attitudes in Mary Shelley's Frankenstein27 cited
  • 2009What's in a Frame?: The Authorizing Presence in James Whale's Bride of Frankenstein

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21 cited

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  • 1995Celluloid Projections: Images of Technology and Organizational Futures in Contemporary Science Fiction Film31 cited