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From Kearton to Attenborough: Fashioning the Telenaturalist's Identity
16 references·5 citing·33 second hop
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this work references cited by second hop

References

  • 1986Laboratory Life: The Construction of Scientific Facts7,544 cited
  • 1983Boundary-Work and the Demarcation of Science from Non-Science: Strains and Interests in Professional Ideologies of Scientists4,831 cited
  • 2006The structural transformation of the public sphere4,779 cited
  • 1987Science in Action4,089 cited
  • 2004Politics of Nature2,594 cited
  • 1995Handbook of Science and Technology Studies2,394 cited
  • 2004Knowledge in Transit838 cited
  • 1997Cultures of natural history679 cited
  • 2002Landscapes and Labscapes624 cited
  • 1993Galileo, Courtier507 cited
  • 1996Misunderstood misunderstandings: social identities and public uptake of science385 cited
  • 1994Science in the Pub: Artisan Botanists in Early Nineteenth-Century Lancashire327 cited
  • 2000Wildlife Films194 cited
  • 1994Corresponding interests: artisans and gentlemen in nineteenth-century natural history184 cited
  • 2003Constructing Expertise177 cited
  • 2005:Bringing the Empire Home: Race, Class, and Gender in Britain and Colonial South Africa.165 cited

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Cited by

  • 2016‘You Can’t Make a Film About Mice Just by Going Out into a Meadow and Looking at Mice’: Staging as Knowledge Production in Natural History Film-making13 cited
  • 2014Making science at home: visual displays of space science and nuclear physics at the Science Museum and on television in postwar Britain12 cited
  • 2018From engaged citizen to lone hero: Nobel Prize laureates on British television, 1962–200411 cited
  • 2020The ciné-biologists: natural history film and the co-production of knowledge in interwar Britain8 cited
  • 2019Protecting the Badger?7 cited