SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Perception of Singing
16 references·0 citing·28 second hop
The Perception of Singing (1999)The Perception of SingingFormant Structure and Articulation of Spoken and Sung Vowels (2009)Formant Structure and Articul…Vibrato extent and intonation in professional Western lyric singing (1997)Vibrato extent and intonation…Dependence of jaw opening on pitch and vowel in singers (1997)Dependence of jaw opening on …Acoustic concomitants of emotional expression in operatic singing: The case of lucia in Ardi gli incensi (1995)Acoustic concomitants of emot…Female and infant vocal tracts simulated from male area functions (1977)Female and infant vocal tract…A Comparison of the Contributions of Two Voice Quality Characteristics to the Perception of Maleness and Femaleness in the Voice (1976)A Comparison of the Contribut…Speech sounds and features (1973)Speech sounds and featuresSpeech Analysis Synthesis and Perception (1972)Speech Analysis Synthesis and…Acoustical Consequences of Lip, Tongue, Jaw, and Larynx Movement (1971)Acoustical Consequences of Li…Acoustic Theory of Speech Production (1971)Acoustic Theory of Speech Pro…Vowel Quality and Musical Timbre as Functions of Spectrum Envelope and Fundamental Frequency (1968)Vowel Quality and Musical Tim…The Science of Vocal Pedagogy (1968)The Science of Vocal PedagogySinging: The Mechanism and the Technic (1968)Singing: The Mechanism and th…Music, Sound and Sensation, A Modern Exposition (1968)Music, Sound and Sensation, A…Singing, the Mechanism and the Technic (1967)Singing, the Mechanism and th…Das Ohr als Nachrichtenempfänger (1956)Das Ohr als Nachrichtenempfän…Primary Features and Their Enhancement in Consonants (1989)Mapping the perceptual magnet effect for speech using signal detection theory and multidimensional scaling (1995)Speaking Clearly for Children With Learning Disabilities (2003)Effect of temporal envelope smearing on speech reception (1994)Nonlinear feature based classification of speech under stress (2001)Emotional speech recognition: Resources, features, and methods (2006)The ‘center of gravity’ effect in vowel spectra and critical distance between the formants: Psychoacoustical study of the perception of vowel-like stimuli (1979)Palatal Vowel Harmony: A Perceptually Motivated Phenomenon? (1983)A Revised Explanation of the Causes of Palatal Vowel Harmony Based on Psychoacoustic Spectra (1984)Preliminaries to speech analysis: The distinctive features and their correlates. By Roman Jakobson, C. Gunnar M. Fant, and Morris Halle. (Technical report No. 13, 2d printing with additions and corrections.) Pp. viii, 58. [Cambridge, Mass.]: Acoustics Laboratory, Massachusetts Institute of Technology, 1952. (1953)Perception of the speech code. (1967)The Evolution of Language (2010)Perceptual confusions of high-pitched sung vowels (2000)Economy of Speech Gestures (1983)Communicating emotion: The role of prosodic features. (1985)Compensatory Articulation During Speech: Evidence from the Analysis and Synthesis of Vocal-Tract Shapes Using an Articulatory Model (1990)Dissimilarity and the Classification of Female Singing Voices: A Preliminary Study (2003)Understanding Performance Expression in Popular Music Recordings (2014)The expression of emotion in the singing voice: Acoustic patterns in vocal performance (2017)The prioritization of voice fundamental frequency or formants in listeners’ assessments of speaker size, masculinity, and attractiveness (2011)The Role of Pitch and Timbre in Voice Gender Categorization (2012)Influences of Fundamental Frequency, Formant Frequencies, Aperiodicity, and Spectrum Level on the Perception of Voice Gender (2013)Auditory normalization of French vowels synthesized by an articulatory model simulating growth from birth to adulthood (2002)Speaker Normalization in Speech Perception (2018)Speaker Normalization in Speech Perception (2021)Expert consensus in solo voice performance evaluation (1997)Marian Anderson and “Sonic Blackness” in American Opera (2011)The Race of Sound Listening, Timbre, and Vocality in African American Music (2019)
this work references cited by second hop

References

  • 1971Acoustic Theory of Speech Production2,946 cited
  • 1972Speech Analysis Synthesis and Perception1,470 cited
  • 1973Speech sounds and features582 cited
  • 1971Acoustical Consequences of Lip, Tongue, Jaw, and Larynx Movement466 cited
  • 1956Das Ohr als Nachrichtenempfänger252 cited
  • 1968Singing: The Mechanism and the Technic227 cited
  • 1976A Comparison of the Contributions of Two Voice Quality Characteristics to the Perception of Maleness and Femaleness in the Voice158 cited
  • 1997Vibrato extent and intonation in professional Western lyric singing123 cited
  • 1968Vowel Quality and Musical Timbre as Functions of Spectrum Envelope and Fundamental Frequency100 cited
  • 2009Formant Structure and Articulation of Spoken and Sung Vowels79 cited
  • 1967Singing, the Mechanism and the Technic58 cited
  • 1977Female and infant vocal tracts simulated from male area functions57 cited
  • 1997Dependence of jaw opening on pitch and vowel in singers56 cited
  • 1968Music, Sound and Sensation, A Modern Exposition49 cited
  • 1995Acoustic concomitants of emotional expression in operatic singing: The case of lucia in Ardi gli incensi47 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 1968The Science of Vocal Pedagogy40 cited
  • Cited by

    No citing works inside the corpus for this window.