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The Cambridge Companion to Pop and Rock
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  • 2007Rethinking the music industry261 cited
  • 2015Decomposed: a political ecology of music157 cited
  • 2008Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting142 cited
  • 2010‘How do you know he's not playing Pac-Man while he's supposed to be DJing?’: technology, formats and the digital future of DJ culture88 cited
  • 2005Audible Entanglements: Nation and Diasporas in Trinidad's Calypso Music Scene62 cited
  • 2004The Use of and Commitment to Goods59 cited
  • 2005NAUGHTY GIRLS AND RED BLOODED WOMEN Representations of female heterosexuality in music video56 cited
  • 2009English in Hong Kong Cantopop: language choice, code‐switching and genre53 cited
  • 2016Music Streaming, Festivals, and the Eventization of Music50 cited
  • 2007Discophobia: Antigay Prejudice and the 1979 Backlash against Disco46 cited
  • 2011Are We Not New Wave?40 cited
  • 2012“WhoDon't Care If The Money's No Good?”: Authenticity and The Band35 cited
  • 2010Tune in, fade out: Music companies and the classification of domestic music products in the Netherlands34 cited
  • 2009Research Note: Breaking into the Popular Record Industry31 cited

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  • 2015The social rhythm of the rock music festival29 cited
  • 2014Grunting Alone? Online Gender Inequality in Extreme Metal Music26 cited