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Listening with Imagination: Is Music Representational?
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Listening with Imagination: Is Music Representational? (1994)Listening with Imagination: Is Music Repr…Sharing songs on Hirakata Square: On playlists and place attachment in contemporary music listening (2019)Sharing songs on Hirakata Squ…Muzyka w funkcji reprezentacji. Między muzykologią a socjologią muzyki (2018)Muzyka w funkcji reprezentacj…Music, Memory, and Affect Attunement: Connecting Kurdish Diaspora in Stockholm (2016)Music, Memory, and Affect Att…Analytic Philosophy and Music (2015)Analytic Philosophy and MusicThoughtwriting —in Poetry and Music (2011)Thoughtwriting —in Poetry and…ART, EXPRESSION AND EMOTION (2010)ART, EXPRESSION AND EMOTIONSemiotic Analysis of Osvaldo Golijov’s Musical Setting of the Passion Narrative in La Pasión según San Marcos (2008)Semiotic Analysis of Osvaldo …The Experience of Emotion in Music (2003)The Experience of Emotion in …Rationales for Music Education: A View from the Psychology of Emotion (1995)Rationales for Music Educatio…Classic Music: Expression, Form, and Style (1981)Music and Discourse: Toward a Semiology of Music (1991)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Painting as an Art (1989)How to speak of the colors (1992)The Metaphysics of Beauty (2001)The Composer's Voice (1974)Mimesis as Make-Believe: On the Foundations of the Representational Arts. (1993)Book Reviews (2006)Lyric Poetry: Intergeneric, Transnational, Translingual? (2017)Lyric Words, not Worlds (2017)History of public school music in the United States (1928)What Should One Expect from a Philosophy of Music Education? (1991)The Expression and Arousal of Emotion in Music (1994)Singing while female: A narrative study on gender, identity & experience of female voice in cis, transmasculine & non-binary singers (2019)Emotion and Meaning in Music (1961)Tractatus logico-philosophicus (2021)Feeling and Form (1953) (2026)Modernity at Large: Cultural Dimensions of Globalization. (1998)Constructing Grounded Theory. A Practical Guide Through Qualitative Analysis (2006)Social Research Methods (2016)#Detroit Music City: Analyzing Detroit’s Musical Urban Imaginary Through a Cultural Justice Lens (2022)From place disruption to attachment: another perspective for international student mobility (2022)Place agency and visitor hybridity in place-making processes at sacred heritage sites (2025)Music as Cultural Practice, 1800-1900 (1991)Musical MeaningToward a Critical History (2001)Music, Philosophy, and Modernity (2007)Collective Memory and Cultural Identity (1995)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Interpersonal World of the Infant (2018)Sound Sentiment: An Essay on the Musical Emotions (1991)Deeper than reason: emotion and its role in literature, music, and art (2006)Deep structure in the Acheulean adaptation: technology, sociality and aesthetic emergence (2020)Musical Meaning and Expression (2020)
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Cited by

  • 2011Thoughtwriting —in Poetry and Music23 cited
  • 2016Music, Memory, and Affect Attunement: Connecting Kurdish Diaspora in Stockholm21 cited
  • 2019Sharing songs on Hirakata Square: On playlists and place attachment in contemporary music listening9 cited
  • 2003The Experience of Emotion in Music9 cited
  • 2010ART, EXPRESSION AND EMOTION8 cited
  • 1995Rationales for Music Education: A View from the Psychology of Emotion6 cited
  • 2015Analytic Philosophy and Music3 cited
  • 2008Semiotic Analysis of Osvaldo Golijov’s Musical Setting of the Passion Narrative in La Pasión según San Marcos2 cited
  • 2018Muzyka w funkcji reprezentacji. Między muzykologią a socjologią muzyki2 cited

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