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Cited by

• 2010Deadness: Technologies of the Intermundane229 cited
• 2018The Performance of Nationalism : India, Pakistan, and the Memory of Partition76 cited
• 2017Dark Visions: Looking at and in Theatrical Darkness68 cited
• 2020Shakespeare, Spectatorship and the Technologies of Performance66 cited
• 2011From Scenarios to Networks: Performing the Intercultural in Colonial Mexico32 cited
• 2022Seneca's Characters26 cited
• 2011The African American Theatrical Body: Reception, Performance, and the Stage22 cited
• 2013Ophelia's Intertheatricality, or, How Performance Is History20 cited
• 2015sys.begin to sys.exit: Software Performs A Piece of Work17 cited
• 2017The Talbot Remains: Historical Drama and the Performative Archive14 cited
• 2018Haunting Riel12 cited
• 2018From Scenarios to Networks: Performing the Intercultural in Colonial Mexico11 cited
• 2013The Possibility of Darkness: Blackout and Shadow in Chris Goode’s Who You Are11 cited
• 2017Beyond mimesis to an assemblage of reals in the drama classroom: which reals? Which representational aesthetics? What theatre-building practices? Whose truths?10 cited