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Auteur Description: From the Director's Creative Vision to Audio Description
6 references·2 citing·27 second hop
Auteur Description: From the Director's Creative Vision to Audio Description (2013)Auteur Description: From the Director's C…Audio narration: re-narrativising film (2010)Audio narration: re-narrativi…Audio Description in the Theatre and the Visual Arts: Images into Words (2009)Audio Description in the Thea…“Suit the Action to the Word, the Word to the Action”: An Unconventional Approach to Describing Shakespeare's Hamlet (2009)“Suit the Action to the Word,…Audio description: The visual made verbal (2008)Audio description: The visual…Towards a European guideline for audio description (2007)Towards a European guideline …Media for All: Subtitling for the Deaf, Audio Description, and Sign Language (2007)Media for All: Subtitling for…The Accessible Museum: Towards an Understanding of International Audio Description Practices in Museums (2020)The Accessible Museum: Toward…Seeing films through sound: Sound design, spatial audio, and accessibility for visually impaired audiences (2020)Seeing films through sound: S…Film Language: A Semiotics of the Cinema. (1974)Coming to terms: the rhetoric of narrative in fiction and film (1991)Coming to Terms: The Rhetoric of Narrative in Fiction and Film (1991)Cinematic language and the description of film: keeping AD users in the frame (2013)The emotional experience of films: does Audio Description make a difference? (2015)Testing audio narration: the emotional impact of language in audio description (2016)Adding Audio Description: Does it Make a Difference? (2001)Audio description: The visual made verbal (2005)Enhancing the entertainment experience of blind and low‐vision theatregoers through touch tours (2010)Audio description as an aural guide of children's visual attention (2012)Audio Description Made to Measure: Reflections on Interpretation in AD Based on the Pear Tree Project Data (2012)Universal Access in the Information Society (2013)The Soundscape: Our Sonic Environment and the Tuning of the World (1993)Audio-vision: sound on screen (1994)Perceptual and Motor Skills (2008)The impact of emerging technology influences product placement effectiveness: a scoping study from interactive marketing perspective (2021)Exploring Satisfying Experiences in Museums (1999)Using thematic analysis in psychology (2006)The Wick in the Candle of Learning (2009)Eye tracking analysis of minor details in films for audio description (2012)Humour in Audiovisual Translation (2019)Audio describing the exposition phase of films. Teaching students what to choose (2007)Implicatures in film: Construal and functions in Bridget Jones romantic comedies (2011)Creating Coherence in Audio Description (2012)The rogue poster-children of universal design: closed captioning and audio description (2009)Multimodality, translation and accessibility: a corpus-based study of audio description (2013)Designing a Course on Audio Description and Defining the Main Competences of the Future Professional (2021)
this work references cited by second hop

References

  • 2007Media for All: Subtitling for the Deaf, Audio Description, and Sign Language101 cited
  • 2008Audio description: The visual made verbal89 cited
  • 2010Audio narration: re-narrativising film80 cited
  • 2007Towards a European guideline for audio description79 cited
  • 2009Audio Description in the Theatre and the Visual Arts: Images into Words57 cited
  • 2009“Suit the Action to the Word, the Word to the Action”: An Unconventional Approach to Describing Shakespeare's Hamlet54 cited

Cited by

  • 2020Seeing films through sound: Sound design, spatial audio, and accessibility for visually impaired audiences32 cited
  • 2020The Accessible Museum: Towards an Understanding of International Audio Description Practices in Museums27 cited

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