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Nollywood at the Borders of History: Yoruba Travelling Theatre and Video Film Development in Nigeria
3 references·2 citing·15 second hop
Nollywood at the Borders of History: Yoruba Travelling Theatre and Video Film Development in Nigeria (2011)Nollywood at the Borders of History: Yoru…English and the Audience of an African Popular Culture: The Case of Nigerian Video Film (2002)English and the Audience of a…EVOLVING POPULAR MEDIA : NIGERIAN VIDEO FILMS (1998)EVOLVING POPULAR MEDIA : NIGE…Nigerian video films (1997)Nigerian video filmsNollywood Cinema’s Character of Recurrence (2020)Nollywood Cinema’s Character …Women Trauma and Stereotype Tradition in Tunde Kelani’s Film, Thunderbolt (2018)Women Trauma and Stereotype T…The Archaeology of Knowledge. (1974)Language and Symbolic Power. (1992)Modernity at Large: Cultural Dimensions of Globalization. (1998)A literature review: Nigerian and Ghanaian videos (2010)The muse's journey: transcultural translators and the domestication of Hindi music in Hausa popular culture (2010)The Rise of Nollywood: Creators, Entrepreneurs, and Pirates (2012)The Evolution of Jealousy (2003)Three Approaches to Qualitative Content Analysis (2005)Research in African Literatures (2014)The Journal of Pan African Studies (2014)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)The Anthropology of Texts, Persons and Publics (2007)A History of African Popular Culture (2017)Entertaining Africans: Creative Innovation in the (Internet) Television Space (2018)Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus (2021)
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References

  • 1998EVOLVING POPULAR MEDIA : NIGERIAN VIDEO FILMS137 cited
  • 1997Nigerian video films111 cited
  • 2002English and the Audience of an African Popular Culture: The Case of Nigerian Video Film54 cited

Cited by

  • 2020Nollywood Cinema’s Character of Recurrence9 cited
  • 2018Women Trauma and Stereotype Tradition in Tunde Kelani’s Film, Thunderbolt5 cited

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