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Cited by

• 2022Evolution of the ultrastructure and polysaccharide composition of flax fibres over time: When history meets science43 cited
• 2016Assessment of the Minimum Sampling Frequency to Avoid Measurement Redundancy in Microclimate Field Surveys in Museum Buildings28 cited
• 2018Materials characterization of the Ruby Slippers from the 1939 classic film, The Wizard of Oz27 cited
• 2016Distribution of moisture in reconstructed oil paintings on canvas during absorption and drying: A neutron radiography and NMR study23 cited
• 2014The Temperierung heating systems as a retrofitting tool for the preventive conservation of historic museums buildings and exhibits14 cited
• 2020Methods and materials and the durability of canvas paintings: a preface to the topical collection Failure Mechanisms in Picasso’s Paintings13 cited
• 2015Conservation Climate Analysis of a Church Containing Valuable Artworks11 cited
• 2015Neutron radiography for the study of water uptake in painting canvases and preparation layers11 cited
• 2022The distribution and transport of water in oil paintings: A numerical moisture diffusion model9 cited
• 2022Hygro-mechanical short-term behaviour of selected coatings: experiments and material modelling on vapour permeability and mechanical properties6 cited
• 2017Evaluation of the diffusion coefficient and sorption isotherm of the different layers of early Netherlandish wooden panel paintings6 cited
• 2012Critical Knowledge Gaps in Environmental Risk Assessment and Prioritising Research