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This paper considers extreme shoes and the visual statements they make about contemporary society, women and femininity. It argues that extreme shoes are puzzling yet charming objects, epitomizing a spectacle-centered society: they are part of unexpected, personal performances, which blend the boundaries of fashion and art and allow the wearers to shift from an ordinary “self” to the extraordinary “other.”
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Stored only when both papers are in the corpus — 1 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.