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Cited by

• 2015‘You Could Shame the Great Arthur Himself’: A Queer Reading of Lancelot from BBC’s Merlin with Respect to the Character in Malory, White, and Bradley31 cited
• 2007Affective Politics in Chaucer’s Reeve’s Tale: “Cherl” Masculinity after 138127 cited
• 2019Literary Value and Social Identity in the Canterbury Tales25 cited
• 2010The traherence of the past22 cited
• 2012Conduct Shameful and Unshameful in The Franklin’s Tale13 cited
• 2016Indecent Exposure: Gender, Politics, and Obscene Comedy in Middle English Literature12 cited
• 2008The Pardoner's Relics (and why They Matter the Most)12 cited
• 2019Love’s (and Law’s) Illusions in Chaucer’s Franklin’s Tale9 cited
• 2004Three Readings of The Knight's Tale: Sir John Clanvowe, Geoffrey Chaucer, and James I of Scotland9 cited
• 2011What's Wrong with the Pardoner?: Complexion Theory, the Phlegmatic Man, and Effeminacy7 cited
• 2018Transmedial Technics in Chaucer's Treatise on the Astrolabe: Translation, Instrumentation, and Scientific Imagination6 cited
• 2016Bodies of Spirit and Bodies of Flesh: The Significance of the Sexual Practices Attributed to Heretics from the Eleventh to the Fourteenth Century6 cited
• 2008Queer Medieval6 cited
• 2006