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Cited by

• 2014Photographing Objects as Queer Archival Practice68 cited
• 1996"The Color of My Skin, the Shape of My Eyes": Photographs of the Japanese-American Internment by Dorothea Lange, Ansel Adams, and Toyo Miyatake29 cited
• 2014The Feeling of Photography, the Feeling of Kinship16 cited
• 2014Photography between Desire and Grief15 cited
• 2014Accessible Feelings, Modern Looks10 cited
• 1992Producing Visual Traditions Among Workers: The Uses of Photography at Pullman5 cited
• 1991Women's Camera Work: Seven Propositions in Search of a Theory4 cited
• 2014Fotografia e a cultura política nos tempos da política da Boa Vizinhança4 cited
• 2011Interpreting a 1930s aerial survey photograph: the artfulness of technological images2 cited
• 1991On the ‘Impurity’ of group f/64 photography2 cited
• 1996The visibility of poverty: A rural vision of depression in the photographs of the farm security administration2 cited
• 2005Marginalized Bodies and the Politics of Visibility2 cited
• 2016“We Have Entered a Third [Visual] Period of History”: Thoughts on the Study of Photography by John Mraz1 cited