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Introduction to the Reader. Part 1: The Dawn of Cinema: Adherents and Detractors Part 2: The Birth of Film Theory: Realism, Formalism, and Religious Vision Part 3: Global Perspectives: Directors and Critics A. African and Middle-Eastern Perspectives B. Asian and Australasian Perspectives C. European Perspectives D. South and North American Perspectives Part 4: Theological and Biblical Approaches to Analysing Film A. Theological Dialogues B. Biblical Connections Part 5: Recent Reflections on the Relation between Religion and Film. Bibliography. Webography. Acknowledgements. Index
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