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Cited by

• 2009Protestantism and Drama in Early Modern England95 cited
• 2018Katherine of Aragon, Protestant Purity, and the Anxieties of Cultural Mixing in Shakespeare and Fletcher’s Henry VIII16 cited
• 2009Desire and dramatic form in early modern England14 cited
• 2007Early Modern Tragedy, Gender and Performance, 1984–200010 cited
• 2012The Cambridge Companion to Shakespeare and Contemporary Dramatists6 cited
• 2014The Cambridge Introduction to Early Modern Drama, 1576–16424 cited
• 2005Staging Passion in Ford's The Lover's Melancholy4 cited
• 2014The Politics of Queenship in Francis Bacon’s The History of the Reign of King Henry VII and John Ford’s Perkin Warbeck4 cited
• 1995Speaking Sweat: Emblems in the Plays of John Ford4 cited
• 2015John Ford's Substantive Accidentals in Perkin Warbeck2 cited
• 2015The Politics of Love: The Broken Heart in the Caroline Context2 cited
• 2016Love and War on Venus' Island: Othello and The Lover's Melancholy2 cited
• 2012‘The words of Mercury’2 cited
• 1999Touching Touchets: Perkin Warbeck and the Buggery Statute2 cited