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This dissertation is the result of investigations into Kant's Critique of Aesthetic Judgment begun in the summer of i960.I am especially grateful to Professor John P. Anton of the State University of New York at Buffalo who first suggested to me the crucial importance of the notion of form in Kant's aesthetics.Our discussions, not only about Kant but about aesthetics in general have, I hope, borne some fruit in this essay, although I am not confident that Professor Anton would find it possible to agree with everything that is in it.
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