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Shelley and his audiences
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Cited by

  • 2005Shelley and the Revolutionary Sublime87 cited
  • 2000Classical standards in the period78 cited
  • 2000Religion and literature73 cited
  • 1994Illegitimate Shelley: Radical Piracy and the Textual Edition as Cultural Performance72 cited
  • 2005Anger, Revolution, and Romanticism70 cited
  • 2000The transformation of rhetoric68 cited
  • 2000Theories of genre66 cited
  • 2000The Cambridge History of Literary Criticism66 cited
  • 2011Shelley's Visual Imagination55 cited
  • 2005Anger, Revolution, and Romanticism43 cited
  • 2019Shelley’s Jingling Food for Oblivion: Hybridizing High and Low Styles and Forms23 cited
  • 2000Romantic irony23 cited
  • 2005Romanticism, Maternity, and the Body Politic21 cited
  • 2000Theory of the novel17 cited
  • 2000Literature and the other arts6 cited
  • 2011“Let a great Assembly be”: Percy Shelley's “The Mask of Anarchy” and the Organization of Labor in New York City, 1910–305 cited

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