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Wagner's "Siegfried" : its drama, history, and music
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Wagner's "Siegfried" : its drama, history, and music (1982)Wagner's "Siegfried" : its drama, history…The Songs of Fanny Hensel (2021)The Songs of Fanny HenselSongs of Travel (2021)Songs of TravelPlagal Cadences in Fanny Hensel’s Songs (2021)Plagal Cadences in Fanny Hens…Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre (2021)Lyric Forms as “Performed” Sp…“You too may change” (2021)“You too may change”The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)The Cambridge Companion to Wa…Mime, Meyerbeer and the Genesis ofDer junge Siegfried: New Light on the ‘Jewish Question’ in Richard Wagner’s Work (2014)Mime, Meyerbeer and the Genes…The A??C?E Complex: The Origin and Function of Chromatic Major Third Collections in Nineteenth-Century Music (2006)The A??C?E Complex: The Origi…Edward Elgar, Modernist (2006)Edward Elgar, ModernistWagner and the Romantic Hero (2004)Wagner and the Romantic HeroBeethoven reception: the symphonic tradition (2001)Beethoven reception: the symp…Wagner, ‘On Modulation’, andTristan (1989)Wagner, ‘On Modulation’, andT…Into the Foothills: New Directions in Nineteenth-Century Analysis (1989)Into the Foothills: New Direc…The Thematic Process in Music (1951)The Dialogic Imagination: Four Essays (1981)Modern European Intellectual History. Reappraisals and New Perspectives. (1984)Distant sounds – Fallen music: Der ferne Klang as ‘woman's opera’? (1991)Death drive: Eros and Thanatos in Wagner'sTristan und Isolde (1999)Understanding the leitmotif: from Wagner to Hollywood film music (2016)Music Theory, Phenomenology, and Modes of Perception (1986)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)Directional Tonality in Schumann’s Early Works (2012)Tonal Structures in Bellini (2012)The Act of Reading: A Theory of Aesthetic Response (1979)The Act of Reading (1980)Nineteenth-century music (1989)Changes of Pace (2020)Dvořák and Subordinate Theme Closure (2020)Rethinking Mendelssohn (2020)Complete poetical works (1983)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Formal Excess in the Opening Movement of Fanny Hensel’s String Quartet in E♭ Major (1834) (2023)2. The Interpretation of Dreams (1913)Being and Time (1927)Truth and Method (1960)'Our true north': Walton's First Symphony, Sibelianism, and the Nationalization of Modernism in England (2008)Music, Modernity, and God (2013)The sound of beauty (2013)From Max Weber: Essays in Sociology (1946)Philosophical Investigations (1954)Simulacra and Simulation (1995)Opera as Reflected in Russian Academic Periodicals of the Last Five Years (2023)The Hero with a Thousand Faces (1949)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Interdisciplinary Opera Studies (2006)From great man to fittest survivor: Reputation, recapitulation and survival in Victorian concepts of Wagner's genius (2009)The Flying Dutchman, the Wandering Jew, and Wagner's Anti-Semitism (2012)On Heroes, Hero-Worship, and the Heroic in History (2019)
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Cited by

  • 2006Edward Elgar, Modernist53 cited
  • 2006The A??C?E Complex: The Origin and Function of Chromatic Major Third Collections in Nineteenth-Century Music52 cited
  • 2001Beethoven reception: the symphonic tradition39 cited
  • 1989Wagner, ‘On Modulation’, andTristan31 cited
  • 2004Wagner and the Romantic Hero27 cited
  • 2020The Cambridge Companion to Wagner's Der Ring des Nibelungen24 cited
  • 2021The Songs of Fanny Hensel21 cited
  • 2021“You too may change”18 cited
  • 2021Songs of Travel16 cited
  • 2021Plagal Cadences in Fanny Hensel’s Songs16 cited
  • 2021Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre4 cited
  • 1989Into the Foothills: New Directions in Nineteenth-Century Analysis4 cited
  • 2014Mime, Meyerbeer and the Genesis ofDer junge Siegfried: New Light on the ‘Jewish Question’ in Richard Wagner’s Work3 cited

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