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Cited by

• 2019Film as Embodied Art16 cited
• 2003“The Décor of Tomorrow's Hell”13 cited
• 2015Chanel’s Creative Trajectory in the Field of Fashion: The Optimal Network Structuration Strategy12 cited
• 2002When Computers Say It with Feeling: Communication and Synthetic Emotions in Kubrick's 2001: A Space Odyssey11 cited
• 2008Two of the MADdest scientists: where Strangelove Meets Dr. No; or, unexpected roots for Kubrick's cold war classic10 cited
• 2008Reel life after prison: Repression and reform in films about release from prison10 cited
• 2003Stanley Kubrick'sA Clockwork Orange7 cited
• 2003Stanley Kubrick and the Art Cinema7 cited
• 2003“A Bird of Like Rarest Spun Heavenmetal”: Music inA Clockwork Orange5 cited
• 2022Problems with Kubrick: reframing Stanley Kubrick through archival research5 cited
• 2003A Clockwork Orange… Ticking5 cited
• 2003Introduction: “What's it going to be then, eh?”: Questioning Kubrick'sClockwork4 cited
• 2018THE INSTITUTION OF MUSEUM, MUSEUM PRACTICE AND EXHIBITS WITHIN THE THEORY OF POSTCOLONIALISM – PRELIMINARY RESEARCH3 cited
• 2011“An effort to decide”3 cited