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Singing in style: a guide to vocal performance practices
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  • 2012The Cambridge Companion to Opera Studies67 cited
  • 2012‘Too much music’: the media of opera16 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2012Opera and modes of theatrical production12 cited
  • 2012Opera and the technologies of theatrical production12 cited
  • 2015Performing Lieder: Expert Perspectives and Comparison of Vibrato and Singer's Formant With Opera Singers12 cited
  • 2012Introduction: opera studies today11 cited
  • 2021Effects of teaching experience and culture on choral directors’ descriptions of choral tone11 cited
  • 2007Voice classification and Fach: Recent, historical and conflicting systems of voice categorization10 cited
  • 2012Genre and poetics8 cited
  • 2012Voices and singers6 cited
  • 2012Opera and gender studies5 cited
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  • 2012‘An exotic and irrational entertainment’: opera and our others; opera as other4 cited
  • 2012The operatic work: texts, performances, receptions and repertories4 cited

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2012
Opera, the state and society
4 cited