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Cited by

• 2004Documentary Screens: Non-Fiction Film and Television80 cited
• 2011Citizen video journalists and authority in narrative: Reviving the role of the witness34 cited
• 2015Showing versus telling: Comparing online video from newspaper and television websites32 cited
• 2006Millions Like Us? Accented Language and the “Ordinary” in British Films of the Second World War28 cited
• 2019‘At home, he’s a pet, at work he’s a colleague and my right arm’: police dogs and the emerging posthumanist agenda17 cited
• 2013John Grierson and the Documentary Film Movement15 cited
• 2013The Films Division of India, 1948–1964: The Early Days and the Influence of the British Documentary Film Tradition9 cited
• 2007Filming Politics9 cited
• 2013‘To Be a Woman’: Female Labour and Memory in Documentary Film Production, 1929–508 cited
• 2013Only Context: Canonising Humphrey Jennings/Conceptualising British Documentary Film History8 cited
• 2016In pursuit of emotions: the emotive turn and post-political sentiment in Finnish documentary film culture6 cited
• 2015Re-forming vision. On the governmentality of Griersonian documentary film6 cited
• 2010Jazz Britannia2 cited