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Cited by

• 2008The Cambridge Introduction to Theatre Studies176 cited
• 2013Puro arte: Filipinos on the stages of empire133 cited
• 2018The Perpetual Immigrant and the Limits of Athenian Democracy109 cited
• 2004Charles Parsloe's Chinese Fetish: An Example of Yellowface Performance in Nineteenth-Century American Melodrama96 cited
• 2014Remembering Feminist Remimesis: A Riddle in Three Parts58 cited
• 2014The Politics of the Dancing Body: Racialized and Gendered Femininity in Korean Pop50 cited
• 2005Marketing Trauma and the Theatre of War in Northern Uganda47 cited
• 2013To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire38 cited
• 1999Transgressive Storytelling or an Aesthetic of Injury: Performance, Pedagogy and Ethics37 cited
• 2004"Unkind Division": The Double Absence of Performing History in 1 Henry VI36 cited
• 2016Beginners On Stage: Arendt, Natality and the Appearance of Children in Contemporary Performance33 cited
• 2005"Horrible Impossible": Henry James's Awkward Stage32 cited
• 2020Wireless Imaginations26 cited
• 2001?Hedda Is All of Us?: Late-Victorian Women at the Matinee26 cited