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The conductor and the score : the relationship between interpreter and text in the generation of Mendelssohn, Berlioz and Wagner
0 references·5 citing·15 second hop
The conductor and the score : the relationship between interpreter and text in the generation of Mendelssohn, Berlioz and Wagner (1994)The conductor and the score : the relatio…The Recordings of Joachim, YsaŸe and Sarasate in Light of Their Reception by Nineteenth-Century British Critics (2017)The Recordings of Joachim, Ys…Commercial Sound Recordings and Trends in Expressive Music Performance (2014)Commercial Sound Recordings a…Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940 (2010)Embodying Music: The Visualit…Negotiating between work, composer and performer: rewriting the story of notational progress (2002)Negotiating between work, com…Joining the historical performance debate (2002)Joining the historical perfor…The Postmodern Condition: A Report on Knowledge (1984)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)The Presentation of Self in Everyday Life. (1956)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Nations and nationalism since 1780 programme, myth, reality (1995)Gesture as Communication: The Art of Carlos Kleiber (2012)Musical Form and Musical Performance (1969)Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)Capturing sound: how technology has changed music (2005)Historical Trends in Expressive Timing Strategies: Chopin's Etude, Op. 25 no. 1 (2021)Listening through Reading: Musical Literacy and the Concert Audience (1992)Text and act: essays on music and performance (1996)A BaroqueTräumerei: The Performance and Perception of two Violin Renditions (2010)Expressiveness in Historical Perspective (2014)
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  • 2017The Recordings of Joachim, YsaŸe and Sarasate in Light of Their Reception by Nineteenth-Century British Critics9 cited
  • 2014Commercial Sound Recordings and Trends in Expressive Music Performance6 cited
  • 2010Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-19404 cited
  • 2002Joining the historical performance debate3 cited
  • 2002Negotiating between work, composer and performer: rewriting the story of notational progress3 cited

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