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Austria as Theater and Ideology: The Meaning of the Salzburg Festival
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Austria as Theater and Ideology: The Meaning of the Salzburg Festival (1990)Austria as Theater and Ideology: The Mean…Performing Lieder, Hearing Race: Debating Blackness, Whiteness, and German Identity in Interwar Central Europe (2019)Performing Lieder, Hearing Ra…David G. Tompkins (2013)David G. TompkinsTradition ist "Schlamperei": Gustav Mahler and the Vienna Court Opera (1998)Tradition ist "Schlamperei": …On the Unremarkable in Music (1992)On the Unremarkable in MusicSound and sentiment: birds, weeping, poetics, and song in Kaluli expression (1990)Feminine Endings: Music, Gender, and Sexuality (1992)Customs in Common: Studies in Traditional Popular Culture (1993)Giacomo Meyerbeer, the Théâtre Royal de l'Odéon, and Music Drama in Restoration Paris (1993)Music, Culture and Social Reform in the Age of Wagner (2010)Dionysian Art and Populist Politics in Austria (1976)Fin-de-Siecle Vienna: Politics and Culture (1981)Freud's Vienna and other essays (1990)Race and the Education of Desire (1995)Race and the Education of Desire (1995)The Black Atlantic: Modernity and Double Consciousness. (1997)‘Ol’ Man River’ at the Front: Paul Robeson, Music, and Blackness in Republican Spain (2021)“Eurowhite” Conceit, “Dirty White” Ressentment: “Race” in Europe (2021)On the Record: Sissieretta Jones and Black Feminist Recording Praxes (2021)Ritual, Politics, and Power. (1989)Magnetic Mountain: Stalinism as a Civilization (1995)The Cultural Cold War: The CIA and the World of Arts and Letters (2017)Cuban Music Counterpoints (2023)
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  • 2019Performing Lieder, Hearing Race: Debating Blackness, Whiteness, and German Identity in Interwar Central Europe46 cited
  • 2013David G. Tompkins13 cited
  • 1992On the Unremarkable in Music4 cited
  • 1998Tradition ist "Schlamperei": Gustav Mahler and the Vienna Court Opera2 cited

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