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Tambora: the eruption that changed the world
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Tambora: the eruption that changed the world (2014)Tambora: the eruption that changed the wo…Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn” (2020)Musical aesthetics below grou…Chemistry and the science of transformation in Mary Shelley’sFrankenstein (2019)Chemistry and the science of …Wordsworth and the Poetics of Air (2018)Wordsworth and the Poetics of…General Introduction: Weather, Climate, and Human History (2018)General Introduction: Weather…Romanticism and Speculative Realism (2015)Romanticism and Speculative R…Historicizing the Networks of Ecology and Culture: Eleanor Anne Porden and Nineteenth-Century Climate Change (2015)Historicizing the Networks of…How We Became Posthuman (1999)Vibrant Matter (2010)Hyperobjects: Philosophy and Ecology after the End of the World (2013)Thick Description: Towards an Interpretive Theory of Culture (1973)A cultural history of climate (2010)Frankenstein, Or The Modern Prometheus (2018)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Understanding Media: The Extensions of Man (1964)Discipline and Punish: The Birth of the Prison. (1978)Global Crisis (2013)1177 B.C.: The Year Civilization Collapsed (2014)Wiley Interdisciplinary Reviews: Climate Change (2018)A Mist Connection (2023)Visual and Other Pleasures (1989)The Birth of the Clinic (2002)Is Water H2O? (2012)The Soundscape: Our Sonic Environment and the Tuning of the World (1993)The Climate of History: Four Theses (2008)The geology of mankind? A critique of the Anthropocene narrative (2014)
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Cited by

  • 2018Wordsworth and the Poetics of Air30 cited
  • 2015Historicizing the Networks of Ecology and Culture: Eleanor Anne Porden and Nineteenth-Century Climate Change28 cited
  • 2018General Introduction: Weather, Climate, and Human History25 cited
  • 2019Chemistry and the science of transformation in Mary Shelley’sFrankenstein20 cited
  • 2015Romanticism and Speculative Realism10 cited
  • 2020Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn”4 cited

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