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Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700
0 references·12 citing·30 second hop
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Cited by

  • 1999Idols of the Queen: Policy, Gender, and the Picturing of Elizabeth I43 cited
  • 2015Out of The Shadow of Vasari: Towards A New Model of The ‘Artist’ in Colonial Latin America21 cited
  • 1981Pieter Bruegel'sChildren's Games, Folly, and Chance15 cited
  • 2009A New Attribution for the Antwerp Anatomy Lesson of Dr. Joannes van Buyten3 cited
  • 2011Sobre una serie de cobres flamencos de pintores en la estela de Rubens2 cited
  • 1998Not a bad impression: a fine 'Rembrandt' print in McGill's collection2 cited
  • 2020The Infancy of Jesus and Religious Painting by Gerard de Lairesse2 cited
  • 1981Unequal Lovers: A Study of Unequal Couples in Northern Art2 cited
  • 2011Imitation and innovation: Dutch genre painting 1680-1750 and its reception of the Golden Age2 cited
  • 2016Thomas de Keyser’s Equestrian Portrait of Pieter Schout, 16602 cited
  • 2012Tres nuevos cobres de Victor Wolfvoet con la Paz y la Guerra bajo la consigna de Rubens1 cited
  • 2015Beyond Matthew 19: The Woman at Christ’s Feet in Rembrandt’s Hundred Guilder Print1 cited

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