Strange Likeness: The Use of Old English in Twentieth-Century Poetry

Chris Jones

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Poetry Analysis and Criticism Medieval Literature and History Modernist Literature and Criticism

Abstract

Introduction: Whose Poetry is Old English Anyway? 1. 'Ear for the sea-surge': Pound's Uses of Old English 2. Anglo-Saxon Anxieties: Auden and 'the Barbaric Poetry of the North' 3. Edwin Morgan: Dredging theWhale-Roads 4. Old English Escape Routes: Seamus Heaney - the Caedmon of the North Conclusion: Old English - A Shadow Poetry? Appendix on Old English Metre

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2016The Programmatic Era: Creative Writing as Cultural Imperialism 2019Dating Beowulf 2009Where Now the Harp? Listening for the Sounds of Old English Verse, from Beowulf to the Twentieth Century 2010The Legend of Sigurd and Gudrún (review)

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