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Latent Image: The Discovery of Photography
0 references·4 citing·15 second hop
Latent Image: The Discovery of Photography (1983)Latent Image: The Discovery of PhotographyAtmospheric Cameras and Ecological Light in the Landscape Photographs of Eadweard Muybridge (2013)Atmospheric Cameras and Ecolo…The Daguerreotype and the Rhetoric of Photographic Technology (1998)The Daguerreotype and the Rhe…Photography and the Status of Truth in Maxine Hong Kingston's China Men (1997)Photography and the Status of…The Visual Domination of the American Indian: Photography, Anthropology, and Popular Culture in the Late Nineteenth Century (1993)The Visual Domination of the …Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life (1987)Science in Action: How to Follow Scientists and Engineers through Society (1988)Wonderful life: the Burgess Shale and the nature of history (1990)Classic Essays on Photography (1981)Photography in nineteenth-century America (1992)Camera Lucida: Reflections on Photography (2001)Historical Studies of Technical Communication in the United States and England: A Fifteen-Year Retrospection and Guide to Resources (2007)"Drawn towards the lens": Representations and Receptions of Photography in Britain, 1839 to 1853 (2008)A Bibliography of Works Published in the History of Professional Communication from 1994–2009: Part 2 (2012)The Woman Warrior: Memoirs of a Girlhood Among Ghosts (1976)Developing Ties to the Past: Photography and Other Sources of Information in Maxine Hong Kingston's China Men (1983)Asian American Literature: An Introduction to the Writings and Their Social Context (1984)Techniques of the observer: on vision and modernity in the nineteenth century (1991)The human motor: energy, fatigue, and the origins of modernity (1991)THE POLITICS OF AESTHETICS: THE DISTRIBUTION OF THE SENSIBLE (2005)
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  • 2013Atmospheric Cameras and Ecological Light in the Landscape Photographs of Eadweard Muybridge10 cited
  • 1998The Daguerreotype and the Rhetoric of Photographic Technology8 cited
  • 1997Photography and the Status of Truth in Maxine Hong Kingston's China Men7 cited
  • 1993The Visual Domination of the American Indian: Photography, Anthropology, and Popular Culture in the Late Nineteenth Century5 cited

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