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Cited by

• 2008Spectacle, Exoticism, and Display in the Gentleman’s House: The Fonthill Auction of 182233 cited
• 2010“Struggling against a Vulgar Prejudice”: Patriotism and the Collecting of British Art at the Turn of the Nineteenth Century26 cited
• 2017Picturing the Installation Shot13 cited
• 2017The Art Market and the Spaces of Sociability in Victorian London13 cited
• 2006Victorian Culture and the Museum: Before and After the White Cube11 cited
• 2004Reading the Walls: Pictorial Dialogue at the Eighteenth-Century Royal Academy9 cited
• 2013Picturing reform in Victorian Britain7 cited
• 2016Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays6 cited
• 2012Selling Celebrity: Actors’ Portraits in Bell’s Shakespeare and Bell’s British Theatre6 cited
• 2018Landscape Then and Now5 cited
• 2008New Directions in British Art History of the Eighteenth Century3 cited
• 2019The Emergence of the Professional Curator3 cited
• 2014Incorporating the Period Eye2 cited
• 2013Exhibiting Enlightenment: Chardin as tapissier1 cited
• 2011“Like as My Profile”: Of Monuments, Money, and Political Caricature in Spring 1784