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Cited by

• 1999The cult of King Alfred the Great75 cited
• 1999Dealer in Magic: James Cox's Jewelry Museum and the Economics of Luxurious Spectacle in Late-Eighteenth-Century London63 cited
• 1997The English Auction: Narratives of Dismantlings48 cited
• 2000Picturing Tragedy: Mrs. Siddons as The Tragic Muse Revisited24 cited
• 2004Designs on the City: John Gwynn's Plans for Georgian London19 cited
• 2004Reading the Walls: Pictorial Dialogue at the Eighteenth-Century Royal Academy9 cited
• 2020The Cambridge History of the Gothic8 cited
• 2001High Art and Low Politics: A New Perspective on John Wilkes7 cited
• 2013Nathaniel Hone's 1775 Exhibition: The First Single-Artist Retrospective7 cited
• 1998Splendid Impositions: Gainsborough, Berkeley, Hume6 cited
• 2014John Vanderlyn’s view of Versailles: Spectacle, landscape, and the visual demands of panorama painting4 cited
• 1973The Schools of the Royal Academy3 cited
• 2017Drawing after the Antique at the British Museum, 1809–1817: "Free" Art Education and the Advent of the Liberal State2 cited
• 1961Der Wandel der Rolle des Malers im England des achtzehnten Jahrhunderts2 cited