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Four parts, no waiting: a social history of American barbershop harmony
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  • 2007White Face, Black Voice: Race, Gender, and Region in the Music of the Boswell Sisters24 cited
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  • 2019Beyond Broadway20 cited
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  • 2024Digital Flows12 cited
  • 2009West Side Story and The Music Man: whiteness, immigration, and race in the US during the late 1950s9 cited
  • 2022Music Theory, Race, and the Barbershop Harmony Society5 cited
  • 2017“The story I must tell”: “ Jingle Bells ” in the Minstrel Repertoire4 cited
  • 2019Microtonal Analysis of "Blue Notes" and the Blues Scale4 cited
  • 2015Blues music theory and the songs of Robert Johnson: ladder, level and chromatic cycle4 cited
  • 2008Remaking the Past: Feminist Spirituality in Anonymous 4 and Sequentia's Vox Feminae3 cited
  • 2008“Who's Selling Here?” Sounds Like The Music Man Is Selling and We’re Buying3 cited
  • 2012Recordings, Technology, and Discourse in Collegiate A Cappella

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3 cited
  • 2008Can Jazz Be Rid of the Racial Imagination? Creolization, Racial Discourses, and Semiology of Music3 cited