Gendering musical modernism: the music of Ruth Crawford, Marion Bauer, and Miriam Gideon

Abstract

List of figures List of tables List of examples Foreword Ian Bent Acknowledgments List of abbreviations Note about technical terms 1. Cultural analysis and post-tonal music 2. The question of climax in Ruth Crawford's String Quartet, third movement 3. Inscribing identities in Crawford's String Quartet, fourth movement 4. The politics of contour in Crawford's 'Chinaman, Laundryman' 5. Gender, sexuality, and performance in Marion Bauer's Toccata 6. Musical sublimation in Bauer's 'Chromaticon' 7. 'A Woman's Way of Responding to the World': Miriam Gideon's 'Night is My Sister' 8. Feminist agency in Gideon's 'Esther' Epilogue Bibliography Index.

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