SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Música Tejana: The Cultural Economy of Artistic Transformation
0 references·7 citing·25 second hop
Música Tejana: The Cultural Economy of Artistic Transformation (1999)Música Tejana: The Cultural Economy of Ar…"The Varied carols I hear": The music of the New Deal in the West (2020)"The Varied carols I hear": T…Beyond the Border: Meaning and Authenticity in the Adoption of Texas-Mexican Conjunto Music by International Artists (2016)Beyond the Border: Meaning an…The Participation of Flaco Jiménez on Ry Cooder’sChicken Skin Music: Cross-Cultural Collaboration and the (Inter)national Discovery of Texas-Mexican Accordion Music (2014)The Participation of Flaco Ji…Típico, folklóricoorpopular? Musical categories, place, and identity in a transnational listening community (2011)Típico, folklóricoorpopular? …Latino Migrant Music and Identity in the Borderlands of the New South (2009)Latino Migrant Music and Iden…Borderland Music as Symbolic Forms of Nationalisms: The Best of the Texas Tornados, Partners, and Viva Luckenbach! (2005)Borderland Music as Symbolic …Remembering Selena, Re-membering Latinidad (2002)Remembering Selena, Re-member…Purity and Danger (1966)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Gender Trouble: Feminism and the Subversion of Identity (1991)The Black Image in the White Mind: The Debate on Afro-American Character and Destiny, 1817-1914 (1974)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)No Respect: Intellectuals and Popular Culture (1990)Unmarked: The Politics of Performance (1994)Cities of the Dead: Circum-Atlantic Performance. (1997)Disidentifications: Queers Of Color And The Performance Of Politics (1999)‘People take for granted that you know how to dance Salsa and Merengue’: transnational diasporas, visual discourses and racialized knowledge in Sweden's contemporary Latin music boom (2009)Out There: Marginalization and Contemporary Cultures (1991)Global Pop: World Music, World Markets (1998)Western music and its others : difference, representation, and appropriation in music (2000)Ethnicity, Identity and Music. The Musical Construction of Place (1995)Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology (1998)Music and the Global Order (2004)Culturas híbridas: estrategias para entrar y salir de la modernidad (1989)Globalization and Culture (1998)Globalization and Culture (2009)How did popular music come to mean música popular? (2012)Activism, Authority, and Aesthetics: Finding the Popular in Academies of Música Popular (2015)Musical attributes, cultural dimensions, social media: Insights for marketing music to consumers (2024)Subcultural Sounds: Micromusics of the West (1993)Modernity at Large: Cultural Dimensions of Globalization. (1998)Situating Salsa: Global Markets and Local Meanings in Latin Popular Music (2002)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2002Remembering Selena, Re-membering Latinidad25 cited
  • 2005Borderland Music as Symbolic Forms of Nationalisms: The Best of the Texas Tornados, Partners, and Viva Luckenbach!14 cited
  • 2020"The Varied carols I hear": The music of the New Deal in the West12 cited
  • 2011Típico, folklóricoorpopular? Musical categories, place, and identity in a transnational listening community10 cited
  • 2009Latino Migrant Music and Identity in the Borderlands of the New South7 cited
  • 2014The Participation of Flaco Jiménez on Ry Cooder’sChicken Skin Music: Cross-Cultural Collaboration and the (Inter)national Discovery of Texas-Mexican Accordion Music3 cited
  • 2016Beyond the Border: Meaning and Authenticity in the Adoption of Texas-Mexican Conjunto Music by International Artists2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work