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Ovid
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  • 2003The Passions in Play188 cited
  • 2005The Ovidian Heroine as Author138 cited
  • 2007Excess and Restraint: Propertius, Horace and Ovid's 'Ars Amatoria'132 cited
  • 2003The Passions in Play: Thyestes and the Dynamics of Senecan Drama122 cited
  • 1974Ekphrasis and the Theme of Artistic Failure in Ovid's Metamorphoses114 cited
  • 2006Ovid's Lovers: Desire, Difference and the Poetic Imagination112 cited
  • 2014Ovid's revisions: the editor as author99 cited
  • 2006A web of fantasies: gaze, image, and gender in Ovid's Metamorphoses99 cited
  • 2005The Ovidian Heroine as Author: Reading, Writing, and Community in the Heroides95 cited
  • 2012Simile and Identity in Ovid's Metamorphoses88 cited
  • 1992Ovid's Canace: Dramatic Irony inHeroides1175 cited
  • 1984Mythic and Non-Mythic Artists in Ovid's Metamorphoses66 cited
  • 1988Erotic Pursuit and Narrative Seduction in Ovid's Metamorphoses59 cited
  • 2019While Rome Burned51 cited
  • 2013Tragedy in Ovid: Theater, Metatheater, and the Transformation of a Genre50 cited

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  • 2004Ovid's ‘Hecale’: Deconstructing Athens in the Metamorphoses45 cited