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Makeba : my story
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Makeba : my story (1988)Makeba : my storyThe Musical Diplomacy of a Landless Ambassador: Hugh Masekela between Monterey ’67 and Zaire ’74 (2018)The Musical Diplomacy of a La…Music and Postcolonial Africa (2018)Music and Postcolonial AfricaPlaying the backbeat in Conakry: Miriam Makeba and the cultural politics of Sékou Touré’s Guinea, 1968–1986 (2017)Playing the backbeat in Conak…The commercialization of celebratory poetry: a critical examination of Zolani Mkiva's post-apartheid praise poetry (izibongo) (2014)The commercialization of cele…Disempowering Music: TheAmandla!Documentary and Other Conservative Musical Projects (2012)Disempowering Music: TheAmand…Musical Echoes of American Jazz: Towards a Comparative Historiography (2007)Musical Echoes of American Ja…Commerce, Politics, and Musical Hybridity: Vocalizing Urban Black South African Identity during the 1950s (2003)Commerce, Politics, and Music…SEEKING THE SIGNIFICANCE OF TWO ‘CLASSIC’ SOUTH AFRICAN JAZZ STANDARDS: SOUND, BODY, RESPONSE (2002)SEEKING THE SIGNIFICANCE OF T…Capturing the ?Spirit of Africa? in the Jazz Singing of South African-Born Sathima Bea Benjamin (2001)Capturing the ?Spirit of Afri…Gender, Migrancy, and South African Popular Music in the Late 1940s and the 1950s (2000)Gender, Migrancy, and South A…‘Not quite fiction’: The challenges of poststructuralism to the reading of contemporary South African autobiography (1991)‘Not quite fiction’: The chal…The Act of Reading: A Theory of Aesthetic Response (1979)The Act of Reading (1980)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Music and Politics in Africa (2004)The New Grove Dictionary of Music and Musicians (1981)The power of black music: interpreting its history from Africa to the United States (1995)The skin of the film: intercultural cinema, embodiment, and the senses (2000)Truth and power (1970)The Value of Narrativity in the Representation of Reality (1980)Feminist practice and poststructuralist theory (1988)The Dialogic Imagination: Four Essays (1982)Culture and Imperialism (1994)Negotiating the Past: The making of memory In South Africa (1999)Elite Transition: From Apartheid to Neoliberalism in South Africa (2000)We Are the Poors: Community Struggles in Post-Apartheid South Africa (2003)Voices of protest: social movements in post-apartheid South Africa (2007)Women and resistance in South Africa (1979)Black Politics in South Africa since 1945 (1985)The Making of Apartheid 1948–1961 (1991)Shoot the sergeant, shatter the mountain: The production of masculinity in zulu ngoma song and dance in post-apartheid South Africa (2004)Of Commodities and Objects: Women and Their Representations in Nigerian Hip-Hop (2017)Angloscene (2023)In Township Tonight! South Africa's Black City Music and Theatre (1987)Popular Arts in Africa (1987)Kwaitoversus Crossed-over: Music and Identity during South Africa's Rainbow Years, 1994–99 (2004)A History of African Popular Culture (2017)Domination and the Arts of Resistance (2017)Marxism and Literature (1978)The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)“Miriam’s Place”: South African jazz, conviviality and exile (2017)Restless Itineraries (2018)Africa must unite (1963)Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (2000)Performing the Nation: Swahili Music and Cultural Politics in Tanzania (2002)Distinction: A Social Critique of the Judgement of Taste. (1985)Global Dimensions of the African Diaspora (1994)Distinction: A Social Critique of the Judgement of Taste* (2018)
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Cited by

  • 2003Commerce, Politics, and Musical Hybridity: Vocalizing Urban Black South African Identity during the 1950s51 cited
  • 2000Gender, Migrancy, and South African Popular Music in the Late 1940s and the 1950s35 cited
  • 2017Playing the backbeat in Conakry: Miriam Makeba and the cultural politics of Sékou Touré’s Guinea, 1968–198619 cited
  • 1991‘Not quite fiction’: The challenges of poststructuralism to the reading of contemporary South African autobiography19 cited
  • 2014The commercialization of celebratory poetry: a critical examination of Zolani Mkiva's post-apartheid praise poetry (izibongo)6 cited
  • 2018Music and Postcolonial Africa5 cited
  • 2018The Musical Diplomacy of a Landless Ambassador: Hugh Masekela between Monterey ’67 and Zaire ’745 cited
  • 2012Disempowering Music: TheAmandla!Documentary and Other Conservative Musical Projects5 cited
  • 2002SEEKING THE SIGNIFICANCE OF TWO ‘CLASSIC’ SOUTH AFRICAN JAZZ STANDARDS: SOUND, BODY, RESPONSE5 cited
  • 2007Musical Echoes of American Jazz: Towards a Comparative Historiography4 cited
  • 2001Capturing the ?Spirit of Africa? in the Jazz Singing of South African-Born Sathima Bea Benjamin2 cited

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