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Cited by

• 2015Comic Acting and Portraiture in Late-Georgian and Regency England75 cited
• 2018Charles Dibdin and Late Georgian Culture37 cited
• 2019British Orientalisms, 1759–183536 cited
• 2012Darkness Visible: The Early Melodrama of British Imperialism and the Commodification of History in Sheridan’s Pizarro33 cited
• 2011Politics, Patriotism, and Gender: The Standing Army Debate on the English Stage, circa 1689–172022 cited
• 2015News Craze: Public Sphere and the Eighteenth-Century Theatrical Depiction of Newspaper Culture21 cited
• 2011Garrick among Media: The “NowPerformer” Navigates the News20 cited
• 2006“The Talking Demon”: Liberty and Liberal Ideologies on the 1820s British Stage18 cited
• 2015“Illegitimate” Pantomime in the “Legitimate” Theater: Context as Text18 cited
• 2009Boadicea Onstage before 1800, a Theatrical and Colonial History17 cited
• 2019Transoceanic America17 cited
• 2015Up in the Air: Balloonomania and Scientific Performance17 cited
• 2008Rowe's Fair Penitent as Global History: Or, a diversionary voyage to New South Wales16 cited
• 2015Anticipating Histories: Emotional Life at Covent Garden Theatre, February 181115 cited