What a Trip: The Road Film and American Culture.

Abstract

In the winter of 1993, four road films were released almost simultaneously: Tony Scott's True Romance, Dominick Sena's Kalifornia, John Whitesell's Calendar Girl, and Roger Weisberg's The Road Scholar. More recent road film entries include Clint Eastwood's A Perfect World, Gus Van Zant's Even Cowgirls Get the Blues, and Oliver Stone's Natural Born Killers (all 1994). The road film genre seems to have permanently settled itself into our post-baby boom, millennium ending visual and cultural landscape.

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