SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Talking Jazz: An Oral History
0 references·6 citing·12 second hop
Talking Jazz: An Oral History (1995)Talking Jazz: An Oral HistoryCultural identity and transnational heritage in contemporary jazz: a practice-based study of composition and collaboration (2026)Cultural identity and transna…Rudy Van Gelder in Hackensack: Defining the Jazz Sound in the 1950s (2020)Rudy Van Gelder in Hackensack…"Telling a Story." On the Dramaturgy of Monophonic Jazz Solos (2016)"Telling a Story." On the Dra…“Chameleon” Meets Soul Train : Herbie, James, Michael, Damita Jo, and Jazz-Funk (2013)“Chameleon” Meets Soul Train …Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz. (2008)Caught Between Jazz and Pop: …Apart Playing: McCoy Tyner and “Bessie's Blues” (2007)Apart Playing: McCoy Tyner an…Yearning for Yesterday: A Sociology of Nostalgia. (1980)Performing rites: on the value of popular music (1997)The future of nostalgia (2001)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Thinking in jazz: the infinite art of improvisation (1995)The games black girls play: learning the ropes from double-Dutch to hip-hop (2006)Thinking in Jazz (1994)The Politics of Recognition (1995)Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)The Jazz cadence of American culture (1999)– The Symbolic Construction of Community (2013)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2016"Telling a Story." On the Dramaturgy of Monophonic Jazz Solos15 cited
  • 2007Apart Playing: McCoy Tyner and “Bessie's Blues”5 cited
  • 2020Rudy Van Gelder in Hackensack: Defining the Jazz Sound in the 1950s4 cited
  • 2013“Chameleon” Meets Soul Train : Herbie, James, Michael, Damita Jo, and Jazz-Funk3 cited
  • 2008Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz.3 cited
  • 2026Cultural identity and transnational heritage in contemporary jazz: a practice-based study of composition and collaboration3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work