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The Cambridge Companion to British Theatre, 1730–1830
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  • 2018European Literatures in Britain, 1815–1832: Romantic Translations59 cited
  • 2009The lure of aria, procession and spectacle: opera in eighteenth-century London55 cited
  • 2011Acting Black, 1824: Charles Mathews's Trip to America41 cited
  • 2018Charles Dibdin and Late Georgian Culture37 cited
  • 2016Staging the Cherokee Othello: An Imperial Economy of Indian Watching35 cited
  • 2012Darkness Visible: The Early Melodrama of British Imperialism and the Commodification of History in Sheridan’s Pizarro33 cited
  • 2018Domestic Melodrama29 cited
  • 2018Gothic Melodrama26 cited
  • 2015The Cambridge Companion to Women's Writing in the Romantic Period26 cited
  • 2018The Cambridge Companion to English Melodrama25 cited
  • 2019Ireland, Enlightenment and the English Stage, 1740-182022 cited
  • 2021The Cambridge Companion to American Theatre since 194519 cited
  • 2015Sarah Sophia Banks’s Private Theatricals: Ephemera, Sociability, and the Archiving of Fashionable Life17 cited
  • 2015Age and aging16 cited
  • 2014The Unaccountable Pleasure of Eighteenth-Century Tragedy

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16 cited
  • 2015The Gothic16 cited