Irish Women Writers. New Critical Perspectives

Abstract

Contents: Elke D'hoker/Raphael Ingelbien/Hedwig Schwall: Introduction - Anne Fogarty: 'I was a Voice': Orality and Silence in the Poetry of Eavan Boland - Margaret Mills Harper: 'The Real Thing': Body Parts and the Zero Institution in Ni Chuilleanain's Poetry - Lucy Collins: Joyful Mysteries: Language and Spirituality in Medbh McGuckian's Recent Poetry - Niamh Hehir: 'I have grown inside words/Into a state of unbornness': Evocations of a Pre-linguistic Space of Meaning in Medbh McGuckian's Poetry - Maria Kurdi: Narrating Across Borders: From Gendered Experience of Trauma to Subject Transformation in Monologues by Irish Women Playwrights - Caoilfhionn Ni Bheachain: 'The seeds beneath the snow': Resignation and Resistance in Teresa Deevy's Wife to James Whelan - Faith Binckes/Kathryn Laing: A Vagabond's Scrutiny: Hannah Lynch in Europe - Maureen O'Connor: 'I'm meat for no butcher!': The Female and the Species in Irish Women's Writing - Eve Eisenberg: 'And then the sausages were ordered': Jewishness, Irishness and Othering in Castle Rackrent - Christina Morin: Undermining Morality? National Destabilisation in The Wild Irish Girl and Corinne ou L'Italie - Catherine Smith: 'Words! Words! Words!': Interrogations of Language and History in Emily Lawless's With Essex in Ireland - Kathryn Johnson: 'Phantasmagoric Hinterlands': Adolescence and Anglo-Ireland in Elizabeth Bowen's The House in Paris and The Death of the Heart - Tina O'Toole: Unregenerate Spirits: The Counter-Cultural Experiments of George Egerton and Elizabeth Bowen - Sylvie Mikowski: Deirdre Madden's Novels: Searching for Authentic Woman - Adriana Bebiano: 'Mad, Bad, and Dangerous to Know': The Stories of Chicago May and Eliza Lynch - Giovanna Tallone: 'Once Upon a Time': Fabulists and Storytellers in Clare Boylan's Fiction - Ann Owens Weekes: Towards Her Own History: A Century of Irish Women's Fiction.

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