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The Cambridge Companion to French Music
16 references·4 citing·29 second hop
The Cambridge Companion to French Music (2015)The Cambridge Companion to French MusicThe Christian West and its singers: the first thousand years (2010)The Christian West and its si…The Making of Saint Louis: Kingship, Sanctity and Crusade in the Later Middle Ages (2009)The Making of Saint Louis: Ki…The Great Transformation of Musical Taste: Concert Programming from Haydn to Brahms (2009)The Great Transformation of M…The Proprietary Church in the Medieval West (2006)The Proprietary Church in the…The Birth of the Orchestra (2004)The Birth of the OrchestraEarly Medieval Rome and the Christian West (2000)Early Medieval Rome and the C…Rationalizing CultureIRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde (1995)Rationalizing CultureIRCAM, B…Music and the Origins of Language (1995)Music and the Origins of Lang…Listening in Paris (1995)Listening in ParisCarolingian culture: Emulation and innovation (1995)Carolingian culture: Emulatio…Rameau and Musical Thought in the Enlightenment (1994)Rameau and Musical Thought in…Western Plainchant (1993)Western PlainchantThe owl and the nightingale: musical life and ideas in France, 1100-1300 (1990)The owl and the nightingale: …Music and ceremony at Notre Dame of Paris, 500-1550 (1990)Music and ceremony at Notre D…The Emancipation of Music From Language: Departure From Mimesis in Eighteenth-Century Aesthetics. (1987)The Emancipation of Music Fro…Castiglione: The Ideal and the Real in Renaissance Culture (1983)Castiglione: The Ideal and th…Wagner and the Rise of Modern Mythology (2020)Wagner and the Rise of Modern…The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)The Cambridge Companion to Wa…Specters of Nazism (2020)Specters of NazismOlivier Halanzier and the Operatic Museum in Late Nineteenth-Century France (2015)Olivier Halanzier and the Ope…Last Things (2008)Latin and Greek Christians (2008)The Cambridge History of Christianity (2008)Defending the Dodecachordon: Ideological Currents in Glarean's Modal Theory (1996)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)The orchestral revolution: Haydn and the technologies of timbre (2013)The Making ofAngelcynn: English Identity before the Norman Conquest (1996)Boethius (2003)The Latin New Testament (2016)Unravelling the omnivore: A field analysis of contemporary musical taste in the United Kingdom (2011)The Cambridge Companion to Opera Studies (2012)The Cambridge History of Music Criticism (2019)Aesthetics and subjectivity from Kant to Nietzsche (1991)The Imaginary Museum of Musical Works (1994)The End of Early Music (2007)From Paris to St. Andrews: The Origins of W1 (1990)The Cambridge History of the Book in Britain (2008)Soundscapes: Toward a Sounded Anthropology (2010)Performing the (Sound)World (2000)Doing anthropology in sound (2004)Whatever Happened to Organizational Anthropology? A Review of the Field of Organizational Ethnography and Anthropological Studies (1997)The Tyranny of Transparency (2000)Logics of interdisciplinarity (2008)The Cambridge History of the Book in Britain (2011)The New Cambridge History of the Bible (2012)Writing Sounds in Carolingian Europe (2018)Burial topography and the power of the Church in fifth- and sixth-century Rome (2001)Merovingian Gaul and the Frankish conquests (2005)The Aurelian Wall and the Refashioning of Imperial Rome, AD 271–855 (2011)
this work references cited by second hop

References

  • 1995Listening in Paris628 cited
  • 2006The Proprietary Church in the Medieval West321 cited
  • 1995Carolingian culture: Emulation and innovation306 cited
  • 1993Western Plainchant272 cited
  • 2009The Great Transformation of Musical Taste: Concert Programming from Haydn to Brahms271 cited
  • 1995Rationalizing CultureIRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde259 cited
  • 2000Early Medieval Rome and the Christian West254 cited
  • 1987The Emancipation of Music From Language: Departure From Mimesis in Eighteenth-Century Aesthetics.247 cited
  • 1994Rameau and Musical Thought in the Enlightenment213 cited
  • 1990Music and ceremony at Notre Dame of Paris, 500-1550208 cited
  • 1983Castiglione: The Ideal and the Real in Renaissance Culture207 cited
  • 1995Music and the Origins of Language202 cited
  • 2009The Making of Saint Louis: Kingship, Sanctity and Crusade in the Later Middle Ages186 cited
  • 2004The Birth of the Orchestra181 cited
  • 1990The owl and the nightingale: musical life and ideas in France, 1100-1300180 cited
  • 2010The Christian West and its singers: the first thousand years

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176 cited

Cited by

  • 2015Olivier Halanzier and the Operatic Museum in Late Nineteenth-Century France24 cited
  • 2020The Cambridge Companion to Wagner's Der Ring des Nibelungen24 cited
  • 2020Wagner and the Rise of Modern Mythology2 cited
  • 2020Specters of Nazism2 cited